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Anna Vinnitskaya celebrates dance, or rather the dances of composers from very different periods and styles: Ravel, Shostakovich and Widmann. ‘In all these works, you can feel in some way transported to the world of childhood. Because I believe the childhoods of each of these three composers are reflected there’, says the pianist. In his Valses nobles et sentimentales , Ravel paid tribute to Schubert.

SOMM Recordings is pleased to announce the release of Mirage, a recital of piano music by Stephen Dodgson performed by Osman Tack in his impressive label debut.

What if the tour de force of French opera in the Age of Enlightenment was Scylla et Glaucus? At the age of 50, the famous violinist Leclair decided to write his first operatic piece, investing irrepressible energy in it. The drama is unrelenting: the nymph Scylla spurns the advances of the Demigod Glaucus, who seeks out the sorceress Circe to cast a spell on her; Circe is in love with Glaucus, drives Scylla to madness and turns her into a deadly rock… An infernal scene, an ocean storm and final cataclysm are employed to give striking relief to this trio of unappeased love, the effusions of irresistible beauty. The conductor and violinist Stefan Plewniak conducts a glorious stage of soloists in the eddies of vengeance!

Although he had initially declined the commission, Delius was persuaded to write the incidental music for Hassan by the actor and director Basil Dean, in July 1920, for performances he was planning for His Majesty’s Theatre, London, the following year.

The magnificent Leuven song manuscript, written at the French court in the years 1470-1475, contains fifty pieces by great Franco-Flemish composers of the 15th century, such as Johannes Ockeghem, Antoine Busnoys and Firminus Caron, as well as twelve recently rediscovered works that cannot be found in any other previously known manuscript.

Mikhail Vasilyevich Pletnev (born April 14, 1957, Arkhangelsk) is a Soviet and Russian pianist, composer and conductor. People's Artist of the RSFSR (1989). Four times winner of the State Prizes of the Russian Federation (1982, 1993, 1996, 2006).

Fauré: Symphonie en Fa Op. 20; Herbert, V: Suite für Cello und Orchester, Op. 3; Fauré: Elégie für Cello und Orchester, Op. 24.

Silent, Listening is a major addition to ECM's distinguished line of solo piano recordings, featuring one of the outstanding improvising pianists and jazz masters of our time: Fred Hersch.

Marie Hubert – Fille du Roy is the latest recording by the renowned Canadian soprano Karina Gauvin. This intriguing album brings the folklores of Quebec and France to life using song to recount the experiences of Marie Hubert, one of the Filles du Roy (the King’s daughters) intended to help populate New France. Recruited as one of almost 800 marriageable French young women, Marie crossed the Atlantic at the end of the program, which was launched in 1670 by the Roi-Soleil, King Louis XIV, and Jean Talon, his intendant in New France.

The 18th century had a dynamic musical scene in which much experimentation went alongside respect for accepted traditions. A wide range of hybrid forms emerged in the wake of the French dance suite and the new Italian solo sonata: not only sonatas with divergent forms and suites in which French character titles suddenly gave way to Italian tempo indications, but also everything in between. Korneel Bernolet here presents an anthology of European 'compiled' sonatas in the form of or derived from suites, alongside contrasting compositions that sought the true sonata form. He plays the Joannes Daniel Dulcken magisterial 1747 single-keyboard harpsichord, whose ambassador and titular player he is.