24 Giờ Sinh Tồn

Gio Evan cambia indirizzo ai luoghi comuni, sovverte il senso delle frasi fatte e dei modi di dire, obbligando il vocabolario alla sfida dell'improbabile. Propone impegnative mescolanze verbali per provare quanti agganci lessicali vivono e aspettano di essere messi nuovamente in vita. Gio Evan usa la scusa delle poesie per spalancare le porte di un'immaginazione non violata e invitarci nel mondo del surreale, dell'incredibile, della meraviglia, della sorpresa. Il palco su cui si muove è asciutto e minimalista, lascia spazio sufficiente al vero protagonista: il pensiero non pensato. Gio Evan non è altro che la movenza creativa della lingua, dove filosofia e gioco e poesia si alleano per esprimere la potenzialità di vivere molteplici vite.

From an early age Benedetto Marcello (Venice 1686 - Brescia 1739) proved to be a man of great versatility: a poet, writer, musician, lawyer, judge, administrator and philologist, holding important posts in these functions during his entire life. As a composer he wrote a substantial oeuvre, covering all important fields of composition: sacred and secular choral works, opera and a large body of instrumental music.

By his twenties, Antonius "Ton" Koopman was already carving a musical niche for himself and had begun to rise toward becoming one of the world's most prominent performers in the early music movement. He is a world-class performer both as a conductor and as a keyboardist. Ton Koopman was born in the Dutch town of Zwolle on October 12, 1944. After what he describes as a classical education, he went to Amsterdam to study organ (with Simon C. Jansen), harpsichord (with Gustav Leonhardt), and musicology. Koopman's musical interests from the outset centered upon the re-creation of older music on original instruments in a thoroughly researched historical performing style.