This 52-disc (no, that is not a typo) comp, ABC of the Blues: The Ultimate Collection from the Delta to the Big Cities, may just indeed live up to its name. There are 98 artists represented , performing 1,040 tracks. The music begins at the beginning (though the set is not sequenced chronologically) with Charlie Patton, Son House, and Robert Johnson, and moves all the way through the vintage Chicago years of Muddy Waters and Howlin' Wolf, with stops along the way in Texas, Louisiana, Florida, Georgia, Mississippi, Tennessee, New York, and all points in between. Certainly, some of these artists are considered more rhythm & blues than purely blues artists: the inclusion of music by Johnny Otis, Wynonie Harris, Bo Diddley, and others makes that clear…
This magnificent compilation of the greatest Wagner singers and conductors of the 20s and early 30s is an absolute MUST for everyone who is remotely interrested in how Wagner was done in the past.
The greatest attractions are the magnificent interpretations of Friedrich Schorr, Frida Leider and the young Lauritz Melchior. Schorr sings Wotan in the excerpts from Die Walkure and Leider sings Brunnhilde. Melchior sings the young Siegfried.
The Messiaen celebrations come to an overwhelming climax with this superb 32-CD set of his complete works. The limited edition, from Deutsche Grammophon, is a one-of-a kind deluxe edition. The crowning gem of this box set is a performance of the two piano Visions de l'Amen with Olivier Messiaen and Yvonne Loriod, recorded in Paris in 1962.
Box set containing 4 jewel case CDs (TOCP-7129, TOCP-7130, TOCP-7131, TOCP-7132) and two booklets. The Ventures are an American instrumental rock band, formed in 1958 in Tacoma, Washington, by Don Wilson and Bob Bogle. The band, a quartet for most of its existence, helped to popularize the electric guitar in the United States and across the world during the 1960s. While their popularity in the United States waned in the 1970s, the group remains especially revered in Japan, where they tour regularly to this day. The classic lineup of the band consisted of Wilson (rhythm guitar), Bogle (initially lead guitar, switched to bass), Nokie Edwards(initially bass, switched to lead guitar), and Mel Taylor (drums).
Liebster Jesu, mein Verlangen (Dearest Jesus, my desire), BWV 32, is a church cantata by Johann Sebastian Bach. He composed the dialogue cantata (Concerto in Dialogo) in Leipzig for the first Sunday after Epiphany and first performed it on 13 January 1726 as part of his third cantata cycle.
It's the late Vier ernste Gesänge, Op. 121, that get the big print on the cover of this release by the awe-inspiring baritone Matthias Goerne, but actually the music on the album falls into a neat early-middle-late classification scheme. The group of middle-period settings of poetry by Heinrich Heine doesn't even get graphics on the cover, but these are fascinating. Brahms wrote a lot of songs, but you couldn't do better than the selection and performances here for a cornerstone collection item. Beyond the sheer beauty of Goerne's voice is an ability to shift gears to match how Brahms' style evolved. If you want to hear his real slashing, operatic high notes, check out the Lieder und Gesänge, Op. 32, settings of poems by the minor poets Georg Friedrich Daumer and Karl August Graf von Platen. These rather overwrought texts add up to a kind of slimmed-down Winterreise, and they catch the spirit of the still-young Brahms with his strong passions, elegantly controlled. The Heine settings, which come from several different sets of lieder, are not that often heard and are in some ways the most compelling of the group here.
Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.