Dr. Ebbett produced the two volume UK singles collection in 2005 and according to the announcement made at the time of its release: It features the A and B sides of every regular issue British 45 rpm record the Beatles releases during their time together. This set is sourced entirely from 7 inch vinyl records – some of them being the original first-issue Parlophone 45s, some from the vinyl boxed set released in the 1970s…
Mahalia Jackson was an American gospel singer. Possessing a powerful contralto voice, she was referred to as "The Queen of Gospel". She became one of the most influential gospel singers in the world and was heralded internationally as a singer and civil rights activist. She was described by entertainer Harry Belafonte as "the single most powerful black woman in the United States". She recorded about 30 albums (mostly for Columbia Records) during her career, and her 45 rpm records included a dozen "golds"—million-sellers. "I sing God's music because it makes me feel free", Jackson once said about her choice of gospel, adding, "It gives me hope. With the blues, when you finish, you still have the blues.
As proof that Ace remains committed to the music that helped build its reputation as a foremost archivist of vintage R&B, this month we bring you our second package chronicling the output of Modern’s longest-running subsidiary of the 1950s, RPM. “Speak Easy” joins the RPM catalogue at the end of 1953 – the point where we left it on the first volume – and carries on through to the label’s final releases of late 1957. Although the focus is primarily on blues and R&B, a smattering of pop and rockabilly is also included. Every one of the important artists to record for RPM is heard on at least one selection – more in the case of bigger names such as B.B. King.
This time last year Ace released its first comprehensive overview of one of the many subsidiaries of the Bihari brothers’ Modern Music Company. Having dealt with the R&B releases on Flair, we now turn our attention to other labels within the Modern family – starting with RPM, the longest-running of the subsidiaries. It wasn’t possible to present a comprehensive overview of the label’s activities within the confines of one 2CD set. Thus we end this volume at the end of 1953 – roughly the halfway point in the label’s life. It’s a convenient point at which to make a break because, with the exception of B.B. King, none of the artists featured here continued their association with RPM beyond that time.
2014 collection from the Swedish band. The Shanes - alongside Hep Stars, Ola & Janglers and Tages - were one of Sweden's big four '60s bands. More than a Swedish Yardbirds, from roughly hewn R&B to pop, they retained an edge which always thrilled. They had the longest hair of any of Sweden's bands and were dubbed 'degenerate' by the Swedish press. LET THEM SHOW YOU: THE ANTHOLOGY 1964-67 takes it's picks from The Shanes' golden years, from 1964's growling 'Let Me Show You Who I Am' to the classic pop of 1967's Abbey Road-recorded 'Chris Craft No. 9'. This release is the first Shanes collection to be issued outside Sweden.