33 Giri Italian Masters Ddl Gratis

For a whole decade, spanning between the second half of the ’50s and the second half of the ’60s, jazz took over the Italian screens. 33 tracks from the CAM Sugar archive that go beyond music, telling the story of Italian cinema, society and of its unmistakable style and charm. A genre that even when nodding to Californian be-bop, to crime jazz or bossa nova still sounds surprisingly original and Mediterranean, elegant, and seductive, either with joyous peaks or with enigmatic and nearly dramatic nuances. The compilation also offers a precious insight into the Italian jazz scene of the times, with its string of formidable soloists and international stars like Chet Baker and Gato Barbieri.

Of Italian origin, Dalida arrived in Paris in 1955, and with her dark hair, Mediterranean beauty, sincerity, and voice, she won over France. This 7-CD box set offers the complete collection of Dalida's songs from 1956 to 1962. It's an essential collection for everyone who, like us, fell under the spell of Dalida’s voice—a voice that once led Gérard-Henri Grandjean to say:“Dalida’s voice caresses, it makes you dream. It builds a world—perhaps an artificial one, but a necessary one—a world shaped like castles in Spain, of wonderfully eternal love, and fairy tales brought to life for three minutes, the length of a song.”

Italian songbook is a collection of 46 Lieder (songs for voice and piano) by Hugo Wolf (1860–1903). The first 22 songs (Book 1) were composed between September 1890 and December 1891, and published in 1892. The other 24 songs (Book 2) were composed between March and August 1896, and published the same year. The time lag between the two volumes was caused by Wolf's long-proposed opera, Der Corregidor (1895), which might have been inspired by his personal love triangle with his friend’s wife Melanie Köchert.

Surprisingly, the cantatas that Handel wrote in the earlier years of his career remain relatively little known. The thrilling theatricality of three works composed in Italy – Armida abbandonata, La Lucrezia and Aminta e Fillide is savoured to the full by conductor

Composed during his Italian stay at the beginning of the 18th century, Handel’s cantatas, interpreted by the soprano Anna Kasyan, draw a nuanced picture of opera heroin’s heart. At this time, women were not often allowed to appear in front of an audience. However, the Italian prima donna Margherita Durastanti, one of the few professional female singers of the period, delighted listeners with her brilliant interpretations of Handel’s cantatas.

Late Baroque ascendency of the cello in Northern Italian sonata and vocal music, brilliantly played on original instruments.

The British soprano Linda Richardson has performed extensively across the UK and continental Europe under conductors such as Bernard Haitink, Edo de Waart, Sir Mark Elder, Daniele Rustioni, Libor Peek, and Carlo Rizzi.

Celebrated by his Chopin awarded recordings and cited by critics as one of those talents that only come along every few decades - has now turned to Bach. The now 31-year-old winner of the 2005 International Chopin Piano Competition, has been immersed in Bach since his childhood and has cultivated a strikingly natural eloquence in his mature interpretations of the composer’s keyboard works.

The Italian Renaissance is the golden age of the lute; in quality and quantity, the lute pieces from this period are comparable to the piano works of the 19th century.