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Among the first releases on the Hallé recording label, established in 2003, were Elgar’s Symphonies Nos 1 and 2. This recording revisits those works nearly 20 years later, and mark the culmination of Sir Mark Elder’s tenure as Music Director The First Symphony was premiered in the Free Trade Hall, Manchester, in 1908 by the Hallé and its Music Director, Hans Richter to whom the symphony is dedicated. It is a work of astonishing musical and structural mastery which was greeted with worldwide acclaim, receiving one hundred performances in its first year. The musical material demonstrates Elgar’s skill at melody and transformation and presents a wide emotional range.

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Hans-Christoph Rademann is one of Germany's leading choral conductors, specializing in early music and, in particular, the rich musical culture of Baroque-era Saxony. He is the conductor of the Dresdner Kammerchor, which he founded while still a student, and director of the Internationale Bachakademie in Stuttgart. Rademann was born in Dresden, in what was then East Germany, on August 5, 1965, but grew up an hour away in Schwarzenberg near the German-Czech border, where his father was a church musician.

Peter Maffay (born 30 August 1949 in the Romanian town of Braşov, German: Kronstadt ; real name: Peter Alexander Makkay) is a German musician.

Spatial Audio - The 3D Film Music Collection is reviving the most popular pieces from blockbuster movies by offering a full fledge state-of-the-art orchestral sound in immersive sound. As the Original Soundtracks for many tracks are recorded in sound quality of the 50s/60s or even in mono – this recording brings a truly revolutionary listening experience to those pieces.

Following an exceptional critical reception of their first volume of Mendelssohn Quartets, the Doric String Quartet now completes the project. As in the case of the previous volume, the players juxtapose one of the early quartets (No. 2) with two of the later compositions (Nos 3 and 4), composed a decade or so later.

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…“full of the most delicious music you could ask to hear, and the players give every indication of loving every note they play” was how one enthusiastic reviewer described the first volume of aria arrangements on SOMM, of “Handel at Home” (SOMMCD 055) with the London Handel Players in Pan Magazine.