3dmotive Hard Surface Vehicle Detailing Volume 5

In this class we will be creating from scratch to finish a full industry standard sci fi helmet which I will be walking you through one step at a time

In this course we will use the Graphite modeling tools to build a football helmet in 3ds Max.
A big challenge when building hard surface models that have curves and contours is adding resolution without introducing unwanted changes in the shape. The Graphite Modeling toolset has a number of tools we can use to solve this problem. In this course we will explore the use of these tools by building a football helmet. We’ll be able to quickly create and modify hard surface geometry using tools like Set Flow and Flow Connect that will maintain the curvature of the mesh. Upon completion, you’ll have a better understanding of some of the modeling tools in 3ds max and how you can put those tools to use in creating well shaped geometry with clean topology for your own projects.

In this course we will use the Graphite modeling tools to build a football helmet in 3ds Max.
A big challenge when building hard surface models that have curves and contours is adding resolution without introducing unwanted changes in the shape. The Graphite Modeling toolset has a number of tools we can use to solve this problem. In this course we will explore the use of these tools by building a football helmet. We’ll be able to quickly create and modify hard surface geometry using tools like Set Flow and Flow Connect that will maintain the curvature of the mesh. Upon completion, you’ll have a better understanding of some of the modeling tools in 3ds max and how you can put those tools to use in creating well shaped geometry with clean topology for your own projects.

In this course you’ll learn the art of designing hard surfaces from freelance concept designer Alex Senechal.

In this series, we jump into creating textures in Zbrush using polypainting. We’ll examine the mesh and review references for the model and then we’ll do a small exploration into matcaps and colours. We’ll then begin to layer in a foundational skin tone before using the spray brush with an alpha to help create the imperfections usually found in skin. We’ll use cavity masking to help us creating some shadowing and then the spray brush again to help give our demon head a five o’clock shadow! We mock up some ideas for eye colouration before finally adding a base colour to the horns to contrast with the skin of the demon!

In this course, instructor Stephen Wells walks you through the process of creating a high poly clock asset within 3ds Max while utilizing many of the modeling, unwrapping, and texture creation tools used in the 3D art creation pipeline.

Learn to Create amazing hard surfaces in ZBrush and Photoshop great for beginners to master the tools needed to create