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Michael Schneider, La Stagione Frankfurt - Franz Ignaz Beck: Symphonies, Op. 4 Nos. 1-3 (2006)

Michael Schneider, La Stagione Frankfurt - Franz Ignaz Beck: Symphonies, Op. 4 Nos. 1-3 (2006)
EAC | FLAC | Tracks (Cue & Log) ~ 300 Mb | Total time: 65:43 | Scans included
Classical | Label: CPO | # 777 033-2 | Recorded: 2005

CPO's Franz Ignaz Beck: Symphonies Op. 4 Nos. 1-3 is the third installation in period-instrument group La Stagione Frankfurt's outstanding series of recordings of the symphonies of Beck. Beck's symphonies are strikingly advanced for their time; he was already utilizing four-movement structures by 1760, and his symphonies are rich with the violent contrasts and explosive effects associated with the Stürm und Drang phase found in Haydn's middle symphonies and those of Carl Philipp Emanuel Bach. Although all three of these symphonies are in major keys, they are no less aggressive and intense than the minor key symphonies that have attracted so much attention to Beck's work since late in the twentieth century. As to the virtues of this particular disc, the performance, led by Michael Schneider, is lively and enthusiastically played.
Michael Schneider, La Stagione Frankfurt - Franz Ignaz Beck: Symphonies, Op. 3, Nos. 3-5 (1996)

Michael Schneider, La Stagione Frankfurt - Franz Ignaz Beck: Symphonies, Op. 3, Nos. 3-5 (1996)
EAC | FLAC | Tracks (Cue & Log) ~ 269 Mb | Total time: 54:20 | Scans included
Classical | Label: CPO | # 999 390-2 | Recorded: 1995

Faszinierende stilistische Fundgrube Noch immer bietet die Musikgeschichte Überraschungen und Entdeckungen, die einen bisher fast vergessenen Komponisten plötzlich in den Mittelpunkt rücken: Franz Ignaz Beck ist solch ein Fall. Die Sinfonien dieses „Berlioz des 18. Jahrhunderts“ sind dermaßen verrückt unkonventionell und kühn, dass man auch heute nur noch staunen kann über die „Modernität“ des zeitgenössischen Pariser Publikums, das ihm geradezu zu Füßen lag. Beck entpuppt sich als im wahrsten Sinne des Wortes fortschrittlicher und individueller „Stürmer und Dränger“, der die Ausdrucksmöglichkeiten seiner Zeit weit in die Zukunft öffnet. Von Mannheim aus über Italien fand Beck seinen Weg nach Marseille, wo seine Sinfonien sich zu wahren Zugstücken der berühmten Pariser "Concerts spirituels“ entwickelten und zahlreiche Druckauflagen erlebten.
Michael Schneider, La Stagione Frankfurt - Franz Ignaz Beck: Symphonies, Op. 3, Nos. 1, 2, 6 (2004)

Michael Schneider, La Stagione Frankfurt - Franz Ignaz Beck: Symphonies, Op. 3, Nos. 1, 2, 6 (2004)
EAC | FLAC | Tracks (Cue & Log) ~ 249 Mb | Total time: 55:51 | Scans included
Classical | Label: CPO | # 777 034-2 | Recorded: 2003

This 2004 CD from CPO completes la Stagione Frankfurt's recordings of Franz Ignaz Beck's Symphonies, Op. 3, begun in 2000 with the Symphonies Nos. 3-5, released on CPO 999 390-2. Led by Michael Schneider and featuring members of Camerata Köln as section leaders and soloists, this fine ensemble performs on period instruments and renders Beck's works in a vivid and believable eighteenth century style, fully attuned to the various influences that shaped his music. These symphonies clearly developed from ideas promulgated by the Mannheim School, but Beck also absorbed Italian and French mannerisms, so the international flavor of these pieces is noteworthy.
Michael Schneider, La Stagione Frankfurt - Carl Philipp Emanuel & Johann Christian Bach: Magnificat (2002)

Michael Schneider, La Stagione Frankfurt - Carl Philipp Emanuel & Johann Christian Bach: Magnificat (2002)
EAC | FLAC | Tracks (Cue & Log) ~ 262 Mb | Total time: 59:37 | Scans included
Classical | Label: Capriccio | # 67 003 | Recorded: 2000

Michael Schneider ist mit der vorliegenden Produktion des Magnificat von Carl Philipp Emanuel Bach vor allem eine sehr geschmeidige Einspielung gelungen. Der Brückenschlag von der barocken Kontrapunkt-Strenge der Chorfugen zur frühklassischen Kantabilität der Arien gelingt stilsicher - auch die Solisten agieren mit viel Fortune.
Michael Schneider, La Stagione - Gluck: Paride ed Elena (1992)

Michael Schneider, La Stagione - Gluck: Paride ed Elena (1992)
EAC | FLAC | Image (Cue & Log) ~ 565 Mb | Total time: 58:38+73:24 | Scans included
Classical | Label: Capriccio | # 60 027-2 | Recorded: 1991

Among Gluck's three Italian 'reform' operas, Paride ed Elena (1770) comes, in every respect, third. Gluck's reformist notion, of concentrating in each opera on a single dramatic theme, is followed here as in Orfeo ed Euridice and Alceste, but in this case the theme—certainly to us, but seemingly to Gluck's own audiences too—is less momentous. We cannot be as excited as we are by the grand, all-embracing love-death themes of the other two by what Gluck himself described as the portrayal in music of the different characters of two nations, the Phrygians and the Spartans, ''contrasting the rude and savage nature of the one with all that is delicate and soft in the other'' (Spartan austerity, that is, against Trojan voluptuousness).
Michael Schneider, La Stagione Frankfurt - Georg Philipp Telemann: Der neumodische Liebhaber Damon (1997)

Michael Schneider, La Stagione Frankfurt - Georg Philipp Telemann: Der neumodische Liebhaber Damon (1997)
EAC | FLAC | Image (Cue & Log) ~ 955 Mb | Total time: 76:11+43:03+69:57 | Scans included
Classical | Label: CPO | # 999 429-2 | Recorded: 1996

Georg Philipp Telemann - cpo friends have long known - is always good for surprises. He was a diligent and also important opera composer who wrote about 35 operas for the Hamburg Opera between 1721 and 1733, of which unfortunately only nine have survived. These are, without exception, important contributions to German opera history; recent performances have all proved their viability and power, but above all the originality, the music-dramatic sense and the always attractive melody of Telemann revealed.
Sabine Bauer, Michael Schneider, La Stagione Frankfurt - Georg Anton Benda: Harpsichord Concertos (2005)

Sabine Bauer, Michael Schneider, La Stagione Frankfurt - Georg Anton Benda: Harpsichord Concertos (2005)
EAC | FLAC | Image (Cue & Log) ~ 374 Mb | Total time: 69:01 | Scans included
Classical | Label: CPO | # 777 088-2 | Recorded: 2004

Georg Anton Benda (1722-1795), who was attached to the Berlin court initially under Frederick Great, made his mark as an innovative opera composer. However, there’s little if any innovation on display in these harpsichord concertos, which are considerably less developed in style than the contemporaneous work of Mozart or either of the Haydn brothers. Aside from the virtuoso quality of some of the keyboard writing, these concertos display some typical galant mannerisms along with the Baroque tendency to sustain a single mood during a movement, if not throughout the whole piece. But within that constraint there is a lot of variety among these four works.
Michael Schneider, La Stagione Frankfurt - Georg Anton Benda: Romeo und Julie (1998)

Michael Schneider, La Stagione Frankfurt - Georg Anton Benda: Romeo und Julie (1998)
EAC | FLAC | Tracks (Cue & Log) ~ 369 Mb | Total time: 91:27 | Scans included
Classical | Label: CPO | 999 496-2 | Recorded: 1997

Charles Burney, the great English music traveller of the 18th century, was extremely positive about "Herr Kapellmeister Benda". His compositions his "new, masterly, and learned." Mozart, too, never made a secret of his high regard for Georg Anton Benda; he was well aware of how much he was indebted to the creator of the German Singspiel - right up to the "Magic Flute".
Michael Schneider, Deutscher Kammerchor, La Stagione Frankfurt - Kraus: Miserere, Requiem, Stella Coeli (2009)

Michael Schneider, Deutscher Kammerchor, La Stagione Frankfurt - Kraus: Miserere, Requiem, Stella Coeli (2009)
EAC | FLAC | Image (Cue & Log) ~ 263 Mb | Total time: 61:31 | Scans included
Classical | Label: CPO | # 777 409-2 | Recorded: 2008

Joseph Martin Kraus was born in the same year as Mozart and died only one year after him; like him, he was also a musician who revealed his extraordinary talent at an early age. It is only in recent years, however, that Kraus has again begun to receive somewhat more attention as a multitalented artistic personality. Born in Miltenberg am Main, Kraus enjoyed a career that took him to Stockholm as court music director to the music-loving King Gustavus III. In their originality his sacred compositions tower above the conventional liturgical repertoire produced in Southern Germany during the second half of the eighteenth century.
Michael Schneider, La Stagione Frankfurt - Alessandro Stradella: San Giovanni Battista (1989)

Michael Schneider, La Stagione Frankfurt - Alessandro Stradella: San Giovanni Battista (1989)
EAC | FLAC | Image (Cue & Log) ~ 334 Mb | Total time: 74:56 | Scans included
Classical | Label: Deutsche Harmonia Mundi | # RD 77034 | Recorded: 1989

Alessandro Stradella was a remarkable composer and his oratorio San Giovanni Battista is a remarkable work. Both have never fallen into oblivion. As far as the composer is concerned, that is mainly due to his adventurous life, which ended with his being murdered as a result of one of his many love affairs. The oratorio was still known in the 19th century, and it was Stradella's first work performed in the 20th century: in 1949 Maria Callas took the role of Eriodiade la figlia, better known as Salome.