40 Hdries

Anca Vasile Caraman was born in Romania and began studying the violin at the age of 4 in her hometown with Prof.

The Fantasias for solo violin composed by Georg Philipp Telemann (Magdeburg, 14th March 1681 – Hamburg, 25th June 1767) were published in 1735, approximately ?fteen years after the Sonatas and partitas for solo violin by Johann Sebastian Bach. We do not know if Telemann knew Bach’s masterpieces, but surely he did not have the same speculative concerns as Bach; indeed Bach tended to reconstruct the polyphonic texture on a monodical instrument thanks to a game of real sounds and underlying notes. On the contrary, in Telemann the pleasure of exploring the possibilities of the instrument prevails, as well as identifying original technical and expressive solutions, to enhance the performer’s capabilities, with the aim of fascinating, surprising and involving the audience.

Ter gelegenheid van het 40-jarig bestaan van De Dijk verschijnt deze uitgebreide 24CD-boxset 40 Jaar De Dijk.
De box bevat alle studio albums die de band in die 40 jaar uitbracht, plus de live albums De Dijk Live, Dijkers En Strijkers en het niet eerder op CD verschenen De Dijk In Paradiso 2019. Als extra is de box ook nog inclusief de bonus CD Curiosa met daarop onder meer duetten, live opnames en b-kantjes.

While we associate Tchaikovsky with music of virtuoso power and difficulty, sweeping up audiences with the fire of the Violin Concerto and First Piano Concerto, he also applied himself to music for the ever-growing market of amateur music-makers during his lifetime. Like many other great composers, he knew how to write for musicians of moderate ability without compromising or simplifying the individuality of his voice as a composer.Also like many great composers, regularly finding himself in grim financial prospects, he tapped into a reliable source of income by supplying publishers who had a seemingly limitless market for music composed with amateur musicians in mind, especially by the acknowledged masters of their day. Both of the cycles recorded here by Yuan Sheng were produced for this market, comprising short pieces, most of them quite simple on the page, but thoroughly imbued with quintessentially Tchaikovskian qualities.

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