6​ ​4​ ​2022 Powers Rolin Duo

After the critical success of the first volume of Beethoven’s symphonies, Jordi Savall now offers us from the Sixth to the Ninth.This latest publication crowns a nearly two-year world tour and confirms the extent to which the director renews our vision of these most famous works. The Concert des Nations shows that it also knows how to magnify the repertoire of the early 19th century, which will be confirmed by a forthcoming Schubert album.

The final volume of the complete Sibelius Symphonies from the Royal Philharmonic Orchestra and Owain Arwel Hughes contains the ever popular 5th coupled with the beautiful less well known 6th, and the ground breaking single movement 7th, the composer’s final word on the symphony. His 8th, apparently completed, was consigned to the fire by Sibelius.

‘Essential listening’ … ‘fabulously assured’ … ‘unequivocally excellent’: just a few of the critical superlatives earned by Martyn Brabbins’s magnificent Vaughan Williams symphony cycle. In this, the penultimate release of the series, two of the late symphonies are coupled with more rare RVW.

The final volume of the complete Sibelius Symphonies from the Royal Philharmonic Orchestra and Owain Arwel Hughes contains the ever popular 5th coupled with the beautiful less well known 6th, and the ground breaking single movement 7th, the composer's final word on the symphony. His 8th, apparently completed, was consigned to the fire by Sibelius. The first volume in this cycle was made a Gramophone Editors Choice and was praised for the performances, interpretation and the recorded sound.

Anton Bruckner's Symphony No. 4 in E-flat major, WAB 104, is one of the composer's most popular works. It was written in 1874 and revised several times through 1888. It was dedicated to Prince Konstantin of Hohenlohe-Schillingsfürst. It was premiered in 1881 by Hans Richter in Vienna to great acclaim. The symphony's nickname of Romantic was used by the composer himself. This was at the height of the Romantic movement in the arts as depicted, amongst others, in the operas Lohengrin and Siegfried of Richard Wagner.

Spanish Composer Ruperto Chapí was born in 1851 in Villena, Alicante province, where he began his musical studies at an early age. Showing an exceptional talent, he moved to Madrid at the age of sixteen, continuing his studies at the capital’s Conservatorio under the tutelage of Emilio Arrieta. After stints in Rome and Paris (where he met Saint-Saëns), he came back to Spain in 1880, where he began his affiliation with the world of zarzuela (Spanish lyric opera), eventually becoming one of the major exponents of this genre in the history of Spanish music. It is with his zarzuela La Tempestad (1882) that he achieves his first national success. Many more would follow during his lifetime, with over a hundred lyric works, including the one that made Chapí a household name in Spain, La Revoltosa (1897).

The composer of Julietta left seven string quartets that do not, by any means, form a cycle but rather a succession of testimonies stretching from 1920 to 1947. This second volume – the first is on PRAGA 250 205 - juxtaposed the French Quartet (No. 1), a lengthy and luxurious, homage to Debussy and Dvorak, the shortest (No.3) ‘pocket’ Quartet and the Sixth written in the post-war utopia, a fantastic counterpoint of madrigals for strings with astonishing polymelodicism, introduction da camera to last Symphony No. 6 (Symphonic Fantasies, 1951-53), with his earnest, struggling character and high symphonic spirit.