70's Erotic

A sleazy, funky, slick and snazzy collection of music swiped from adult cinema classics! 70's and 80's magic, passion and beats!! Sultry kitsch, remastered magic and lossless classics!

A sleazy, funky, slick and snazzy collection of music swiped from adult cinema classics! 70's and 80's magic, passion and beats!! Sultry kitsch, remastered magic and lossless classics!

Exploring realms both sacred and profane, Xperimental Eros invokes a shimmering fantasia of celluloid sensuality for the pleasure of largest sex organ-the brain. Usinmg exotic tropes and erotic footage from the world's oldest genre, our program of ardent auteurs spin grindhouse dross into arthouse gold with perverse panache. Be it tales of sexual obsession, rejected letters to Penthouse Forum, or the Mr. Nude Trucker Contest of 1976, no subject is taboo…nor above deconstruction. X-Eros strips bare the spectacle of sex in cinema, peoticizing the cinematic language of the body.

A wonderfully groovy set – every bit as great as you might guess from the title and the cover – and the very first installment in the now-legendary Mood Mosaic series! The set's one of the few to bring together tunes from the groovier side of the spectrum at the end of the 60s – work from British, French, American, and German sources – all awash in a great blend of funky, easy, and pop-oriented modes! There's a nicely trippy feel throughout – and titles include "Hascisch Party" by George Garvarenz, "Kiss This" by Claude Denjean, "Acka Raga" by Shocking Blue, "Mas Que Nada" by Luiz Enriquez, "En Melody" by Serge Gainsbourg, "Love For Sale" by Marian McPartland, "Batucada" by Phil Crewe, "Marins Armins Amant Ou Maris" by Michel Legrand, and "Sitar Beat" by Klaus Doldinger. © 1996-2024, Dusty Groove, Inc.

One of the most revered, reviled and talked about records in all Australian music history (I'm) Stranded by The Saints finally gets the vinyl box set treatment. A joint collaboration between In The Red, Universal Music Australia and spearheaded by Feel Presents and Saints founder Ed Kuepper, the deluxe edition of (I'm) Stranded will feature four vinyl long players covering all the band's studio and live recordings from 1976 thru 1977 and includes: - The iconic debut album remastered for vinyl for the first time in over forty years. - A five-song live performance from Paddington Town Hall Sydney 3.4.1977 appearing on vinyl for the first time. - A full live performance from the Hope & Anchor Front Row Festival, London November 1977 appearing on vinyl for the first time. - All three tracks from the 1977 This Perfect Day 12-inch single and all four tracks from the 1977 1-2-3-4 double 7-inch single. - The previously unreleased 1976 demo mix of the full (I'm) Stranded album. - In addition to all that vinyl, (I'm) Stranded - Deluxe Box Set will also features a twenty-eight page 12" x 12" photo essay of the band covering their origins from 1973 through the end of of '77, an authorised band history, an 8" x 10" 1976 promo photo and a (I'm) Stranded sticker. "It's been an exhausting yet thrilling process being involved in the creation of this box set. It's been fifty-one years in the making and has possibly turned out even better than I anticipated. It's by far the most extensive appraisal of the band, both aurally and visually, that has ever been made available and hopefully reveals some things people may not have known about the band." -Ed Kuepper

All tracks remastered from the original master tapes Alessandro Alessandroni is no longer remembered simply as 'the whistler' in Morricone's spaghetti western soundtracks – and rightly so, since he was the key figure behind much of Italian 'secret music' from the 60s and 70s, always there in the studio during recording sessions, whether as a multi-instrumentalist or as the leader of session vocal group I Cantori Moderni di Alessandroni. Today his pervasive presence and important role has been finally recognized by music professionals and enthusiasts alike, so much so that he is now considered the true father of Italian library music – a genre whose sound he shaped since 1968.