99 And 44 100% Dead

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton

We're easin' on into the last Dave's Picks of the 2022 series with the complete show from AUTZEN STADIUM, UNIVERSITY OF OREGON, EUGENE, OREGON, 6/23/90 and you're going to need your sunglasses because the forecast for this one is bright. Doors were at noon with Little Feat opening (fun fact: Little Feat's Lowell George produced SHAKEDOWN STREET) and the Grateful Dead taking the stage at 2pm to deliver what is surely one of their longest performances and what can most certainly be classified as an upper-echelon late-Brent era show.

We're easin' on into the last Dave's Picks of the 2022 series with the complete show from AUTZEN STADIUM, UNIVERSITY OF OREGON, EUGENE, OREGON, 6/23/90 and you're going to need your sunglasses because the forecast for this one is bright. Doors were at noon with Little Feat opening (fun fact: Little Feat's Lowell George produced SHAKEDOWN STREET) and the Grateful Dead taking the stage at 2pm to deliver what is surely one of their longest performances and what can most certainly be classified as an upper-echelon late-Brent era show.

We're easin' on into the last Dave's Picks of the 2022 series with the complete show from AUTZEN STADIUM, UNIVERSITY OF OREGON, EUGENE, OREGON, 6/23/90 and you're going to need your sunglasses because the forecast for this one is bright. Doors were at noon with Little Feat opening (fun fact: Little Feat's Lowell George produced SHAKEDOWN STREET) and the Grateful Dead taking the stage at 2pm to deliver what is surely one of their longest performances and what can most certainly be classified as an upper-echelon late-Brent era show.

During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it…

Workingman's Dead was deemed an instant classic upon release and featured such Dead standards as "Uncle John's Band," "Casey Jones," and "Dire Wolf."