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The versatility of the suite form proved well suited to Johann Sebastian Bach in his instrumental works, and the English Suites are no exception. These are distinct from Bach’s other suites with their quasi-improvisatory opening Preludes, and further movements encompassing a wide range of moods and styles from lively dances to the pensive intensity of the slow Sarabandes. The Montenegrin Guitar Duo’s fresh and historically informed performances of these works have been acclaimed as “simply ravishing” (American Record Guide). The Montenegrin Guitar Duo is frequently invited to venues such as the Philharmonia Hall in Saint Petersburg, Manuel de Falla Hall in Madrid, and the Concertgebouw, Amsterdam. International festivals regularly engage the duo to give recitals, deliver lectures and masterclasses, and adjudicate major competitions. In 2013 their debut album was released by the Montenegrin Music Centre, featuring works by Domeniconi, Piazzolla and Bogdanovic. The first of their two volumes of Bach’s English Suites was released in 2015 and received excellent reviews.

I Solisti Italiani is a chamber string orchestra consisting of about 12 players, known particularly for their spirited readings of works from the Baroque and Classical periods. They have performed and recorded much Vivaldi over the years and have devoted nearly as much effort to the works of Handel, Mozart, Mendelssohn, and Rossini…

Buxtehude’s Opus 1 and 2 Sonatas for violin, viola da gamba and harpsichord belie the composer’s common image as austere and sober. They instead delight the listener with what Johann Mattheson, writing in 1739, called their « unfamilar progressions, hidden ornamentation, and ingenious colourations ». It comes as no surprise to learn that the sonatas were a great success when they were first published in Germany in the 1690s, in the midst of the fashion for the ‘stylus fantasticus’ (described by Athanasius Kircher in 1650 as “…especially suited to instruments. It is the most free and unrestrained method of composing, it is bound to nothing, neither to any words nor to a melodic subject. It was instituted to display genius, and to teach the hidden design of harmony and the ingenious composition of harmonic phrases and fugues.")

Several years after the original art rock supergroup Colosseum disbanded, drummer Jon Hiseman formed Colosseum II, a more jazz fusion-oriented outfit featuring guitarist Gary Moore (Thin Lizzy) and keyboardist Don Airey. Their eclectic debut, Strange New Flesh, shows some impressive chops from all involved, with an emphasis on Moore's soulful guitar leads. Vocalist Mike Starr, while not an immensely engaging singer, does a nice job keeping up with Hiseman and bass player Neil Murray. Highlights include the technically showy but blissfully irreverent ode to Pink Floyd, "Dark Side of the Moog," a nice version of Joni Mitchell's "Down to You," and the funky "Gemini and Leo."