A Gavintoo

Pietro Paolo Bencini (1675? -1755) was one of the most important figures in the musical life of Rome in the eighteenth century. His sacred music is on the same level as that of Alessandro Scarlatti. This is evident from the fact that much of his music can be found in copies even outside Europe. The most important part of his oeuvre is in the collection of the 'Cappella Guilia', now the library of the Vatican. Bencini worked as 'maestro di cappella' in the basilica of San Lorenzo in Damaso and from 1743 in St. Peter's of Rome; an important job. His style is festive, full of contrasts and smooth melodic lines.

How Can I Sleep With Your Voice in My Head documents a-ha's 2002 world tour in support of Lifelines. The album's 14 tracks were compiled from various performances recorded over the tour's final six weeks. Rather than focusing on newer material, the album gives almost equal due to the seven years between Hunting High and Low and Lifelines.

Out of the fertile musical soil of southern Sweden comes A Secret River, a band intent on exploring and creating innovative sounds, while still keeping the song in focus. From its humble inception as a duo some ten years ago to the four-piece it is today, A Secret River is steadily building a following around the world, with songs that are undoubtedly progressive and intricate, yet remain easily accessible to listeners from all walks of life. Lush vocal harmonies, unusual song structures and multilayered sounds are just a few of the things that make A Secret River stand out from the crowd. Prog magazine compared the band’s sound to that of artists like Pink Floyd and Peter Gabriel, and a number of radio shows have been giving the bands debut EP steady airplay. On june 25th, 2014 release date of their first full-length album, entitled "Colours of Solitude".

Emily A Sprague’s Hill, Flower, Fog is an illumination of consciousness across six modular meditations. A place, a poem, and a homespun ode to existing in “this cone of time in our universe,” Hill, Flower, Fog channels the here and now and fosters a far-reaching connectedness, or lifeline, from the everyday to the cosmos.

Norwegian pop trio A-ha has had their catalog revamped and repackaged a number of times since their inception in the 1980s, but 2016's Time and Again: The Ultimate A-ha brings their canon of hits up to date with the inclusion of material from each of their ten studio albums. The first disc of this set is generally concerned with their hits, beginning, appropriately, with the sunny synths of "Take on Me" and winding chronologically through the years to the sweeping orchestral ballad "Under the Makeup" from their 2015 LP Cast in Steel. The expected tracks like "Touchy!," "The Living Daylights," and their lush cover of the Everly Brothers' "Crying in the Rain" are all included alongside later-era cuts like 2000's "Summer Moved On," which was a number one hit in their home country. The second disc in the set is dedicated entirely to alternate mixes and remixes of their hits, some of which hold some historical value like Jellybean's previously unreleased 1986 remix of "Cry Wolf" and Justin Strauss' rare dub mix of "You Are the One."