The first recording by trombonist Wilbur DeParis' "New New Orleans Jazz Band" (although it was actually released after their 1955 session) is full of fresh and lively Dixieland. DeParis and his all-stars (cornetist Sidney DeParis, clarinetist Omer Simeon, pianist Don Kirkpatrick, banjoist Eddie Gibbs, bassist Harold Jackson and drummer Freddie Moore) play a wide variety of material which includes the leader's colorful "Martinique," "Under the Double Eagle," Rachmaninoff's "Prelude in C Sharp Minor," a couple of Jelly Roll Morton tunes and "When the Saints Go Marching In"; the second part of the latter is taken at a blistering tempo. The DeParis band was one of the most consistently inventive Dixieland-oriented groups of the 1950s.
Super deluxe six disc edition boasts an abundance of material. Disc one features a 2016 remaster (by Andrew Walter at Abbey Road) approved by Charlie Burchill and the second disc gathers 12-inch remixes and instrumentals of the singles, a few of which enjoy their CD debut. Various edits and B-sides can be found on the third CD in the set while disc four features previously unreleased BBC John Peel and Kid Jensen radio sessions, recorded in February and August 1982. All ten tracks on disc five are previously unreleased; made up of alternative mixes and demos and the icing on the cake is the sixth and final disc which is a DVD, featuring Charlie Burchill and Ronald Prent's 5.1 surround sound mix, first released on the now long out-of-print DVD-Audio in 2005. This mix of the album is a unique 'full duration' mix which is different to the standard version. DVD also includes promo videos and a few Top of the Pops performances. Note, this is a DVD-V unlike the DVD-A/V disc from previous Simple Minds box sets.
Axis/Another Revolvable Thing is the second installment of Blank Forms’ archival reissues of the music of Japan’s eternal revolutionary Masayuki Takayanagi, following April is the cruellest month, a 1975 studio record by his New Direction Unit. Comprised of recordings of a September 5, 1975 concert by the New Direction Unit at Yasuda Seimei Hall in Tokyo’s Shinjuku district, the two-part set showcases Takayanagi in deep pursuit of what he began calling “non-section music” after leaping beyond the confines of his prior descriptor “real jazz.”
For his 2001 All-Star Band outing – his fourth captured on album – Ringo Starr is joined by fellow old-timers like bassist Greg Lake, Ian Hunter on guitars, Sheila E., Howard Jones, and Supertramp's Roger Hodgson (who contributes three songs, with the rest relegated to a single track apiece). It's an eclectic group, but all deliver fine, if predictable, readings of their biggest hits, with Sheila E.'s ten-minute version of her "Glamorous Life" a concert and album highlight.
Saxophonist and clarinetist Toshiyuki Miyama formed his own ensemble called Jive Aces in 1950 and later renamed it The New Herd in 1958. From the end of the 1960's, The New Herd opened up new horizons in big band jazz by introducing innovative techniques and radical sounds. The music recorded around 1970 is important in The New Herd’s history, and one of their most representative works is the album Nio & Pigeon, released by Nippon Columbia in 1972. This album is a masterpiece that seamlessly weaves a distinctly Japanese feeling with elaborate arrangements based on motifs of local customs, traditions, and scenes.