A Bond of The Heart

The Style Council's albums were always weighed down by their far-reaching musical ambitions, which meant that their ideas were usually best heard on their singles. And while this period of Paul Weller's career has been criticized heavily, he wrote several excellent songs during the Style Council, most of which are featured on the fine compilation The Singular Adventures of the Style Council. Not all of the 16 songs are first-rate, as it begins to lose steam toward the end of the band's life, but "My Ever Changing Moods," "You're the Best Thing," "Long Hot Summer," "Shout to the Top!," "A Solid Bond in Your Heart," "Money Go Round," "Walls Come Tumbling Down," and "Speak Like a Child" are terrific, and make the collection worthwhile for fans of the Jam and Weller's solo career, as well as fans of New Romantic new wave and jazzy sophisti-pop.

Alex Harvey - The Last Of The Teenage Idols (2016) {14 CD Box Set Universal 536212-0 rec 1963-1978}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 5.38 Gb | MP3 @320 -> 2.14 Gb | Artwork | 5% repair rar
© 1963-78, 2016 Universal Music | 536 212-0
Rock / Blues / Pop / Glam Rock / Hard Rock / Blues Rock / Rhythm & Blues

Universal Music pay tribute to the short but prolific musical life of enigmatic Glasgow blues-rocker Alex Harvey with the biggest-ever, career-spanning, cross-label collection of his work. A total of 217 fully remastered tracks (with much of the material from the original master tapes) includes 21 that are previously unreleased, and a further 59 that are appearing officially on CD for the first time.

Although released in 1971, the debut self-titled album by Spirit of John Morgan was actually recorded two years earlier, before the spirit of the '60s dissipated into the excesses of the '70s. But even back in 1969, the British quartet were already fish out of water, gasping for R&B in a Technicolor age of psychedelia. So they created their own, an entire album's worth of strong, shadowed, R&B numbers underlit by magnificent musicianship and powerful rhythms. The set opener, a menacing cover of Graham Bond's "I Want You," is a case in point, stalker-like in its intensity, with John Morgan's organ conjuring up a phantom of the opera from which there is no escape.