The trio Arabesque was created by two Frankfurt-based German producers at the height of the disco era in 1977. After one album and a few singles that found surprising success in Japan, the producers changed the lineup, keeping Michaela Rose and replacing the two other members with Jasmin Vetter and Sandra Lauer. Vetter, a former gymnast, also became the trio's choreographer and Lauer, soon to be billed simply as Sandra, assumed the position of a lead vocalist. The first single of the updated Arabesque, "Hello, Mr. Monkey," went to number one in Japan. The Far East remained the band's biggest market, with numerous albums and compilations released over the years.
During the later years of the seventeenth century in Italy the form of the solo cantata with basso continuo became popular. Extra voices with obbligato instruments were often added to the basic formula, but the alternating pattern of recitative and aria remained more or less constant. the majority of Handel's cantatas date from the first decade of the eighteenth century and, more specifically, to his period in Italy between 1706 and 1710. Three of those in the new issue belong to that period whilst the fourth, Mi palpita il cor, suggests Anthony Hicks—in its version for soprano, oboe and continuo—dates from Handel's first years in England. Only recently have two complete copies of Alpestre monte turned up and this performance is, I believe, the first commercially recorded one.
After three years and four albums, the '80s incarnation of King Crimson, featuring Adrian Belew (guitar/vocals/drums), Bill Bruford (drums/percussion), Robert Fripp (guitar) and Tony Levin (bass/stick/synth/vocal) wrapped up their initial collaborative efforts at the conclusion of their 1984 North American tour. Absent Lovers (1998) presents the July 11, 1984 parting performance at the Spectrum in Montreal, Quebec in its entirety. As the show was simulcast on FM radio, decent sounding copies have been traded amongst the faithful for years, although not in such stunning fidelity or completeness. While the contents draw primarily from the Discipline (1981), Beat (1982) and Three of a Perfect Pair (1984) long-players, the quartet likewise dip into the vintage Krim catalog…
Harking back to the days of homemade mixtapes, BBC's television program Top Gear released its own version of a road-trip album in a two-disc, 38-song compilation they call The Ultimate Driving Experience. According to the label, Family Recordings, the first disc is a selection of "recent" hits (though if the Stone Roses song "Love Spreads" from their 1994 album, Second Coming, really qualifies as recent is debatable), while the second focuses more on atmosphere (aka electronica, techno, and house music). What this basically means is that there is a disc for day and then one for night, though, perhaps because of the incessant rain in Britain and the lack of sun in the winter months, there are some songs on the first that seem to better apply to low-light situations (DJ Shadow's "You Can't Go Home Again," UNKLE's "Panic Attack," and Snow Patrol's "Run," for example).
Limited edition 9CD Box Set featuring FM broadcasts. New series of Allman Brothers live show box sets. Mastered from the original FM broadcasts. Volume One features three classic shows across 9 CD's from 1972, 1973 and 1979. Manley Field House, Syracuse, New York April 7th 1972 WNEW-FM (Discs 1,2). Cow Palace, Daly City, California December 31st 1973 KSAN-FM (Discs 3,4,5,6). Nassau Coliseum, Uniondale, New York December 30th 1979 WLIR-FM (Discs 7,8,9).
While they're only a trio, the Reverend Peyton's Big Damn Band deliver a sound that lives up to their name, with thick, bass-heavy, blues-based guitar figures accompanied by muscular but minimal drumming and the metallic percussive scratch of a washboard (making them one of the first rock bands to regularly feature the latter instrument since Black Oak Arkansas).
The group was formed by guitarist and singer Josh "Reverend" Peyton, who was born and raised in Indiana, and first exposed to music through his father's record collection, which was heavy on Neil Young, Jimi Hendrix, and Bob Dylan - all artists with their own take on the blues…
Reinhard Goebel and Musica Antiqua Koln s recordings of J. S. Bach are classics of the Early Music movement. Equally revelatory is their championing of the music of the Bach family stretching from the mid-17th to the late 18th century: a treasure trove of vocal and instrumental works. Here they are complete in a single box for the first time, with Magdalena Kozená a stunning soloist.