Acd Spectrus

Bill Monroe & The Bluegrass Boys - Castle Studio 1950-1951: Complete Sessions (2017) {5CD Set RWA ACD 12522}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.12 Gb | MP3 @320 -> 739 Mb
Artwork @ 300 dpi (png) -> 22 Mb | 5% repair rar
© 1950-51, 2017 Castle / Decca / Richard Weize Archives | ACD 12522
Bluegrass / Country / Close Harmony / Old-Timey / Traditional Bluegrass / Bluegrass-Gospel

5-CD hardcover album (CD-size) - 68-page booklet - 181 tracks -(366 min.). For devotees of Bill Monroe's music, the CD box sets issued by BEAR FAMILY beginning in 1989 were the answer to a listener's dream: having the bluegrass originator's complete recordings tastefully collected in boxes, with informative books included. What we now have is something even more dreamlike: all the familiar Monroe recordings for DECCA in 1950-51, featuring lead singers Jimmy Martin, Carter Stanley, and Edd Mayfield, presented next to – unbelievably – all the outtakes (none pre- viously issued) of all the tracks. Among other things, this means multiple takes of Raw Hide.

Pawel Szymanski - Partita III i IV, Dwie Etiudy, Lux aeterna, Miserere (1997) {CD Accord ACD 038-2}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 329 Mb | MP3 @320 -> 165 Mb
Full Artwork @ 600 dpi (jpg) -> 89 Mb | 5% repair rar
© 1994, 1997 Polskie Radio / CD Accord | ACD 038-2 / 011 378-2
Classical / Contemporary Classical

A monographic record of one of the greatest Polish composers of postmodern time - Paweł Szymański. The compositions recorded here perfectly define his compositional idiom, which consists mainly of two elements: a heterophonic texture and a specific technique of surconventionalism (composer's definition), consisting in revealing only parts of the musical narrative, so that the listener must reconstruct the whole by imaginary force. The tracks are characterized by a "ragged" rhythmic course and a wealth of color means. As a result, Szymański's unusually expressive, original style is perfectly recognizable to anyone who has ever met his music.

Dick Heckstall-Smith, Jack Bruce, John Stevens - This That (1994) {Atonal Records ACD 3017}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 343 Mb | MP3 @320 -> 169 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb | 5% repair rar
© 1994 Atonal Records } ACD 3017
Jazz / Blues Rock / Fusion / Neo-Bop

Heckstall-Smith was an active member of the London jazz scene from the late 1950s. He joined Blues Incorporated, Alexis Korner's groundbreaking blues group, in 1962, recording the album R&B from the Marquee. The following year, he was a founding member of that band's breakaway unit, The Graham Bond Organization. (The lineup also included two future members of the blues-rock supergroup Cream: bassist Jack Bruce and drummer Ginger Baker.)

John Adams - Fellow Traveler: The Complete String Quartet Works of John Adams - Attacca Quartet (2013) {Azica ACD-71280}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 337 Mb | MP3 @320 -> 163 Mb
Full Artwork @ 600 dpi (png) -> 178 Mb | 5% repair rar
© 2013 Azica Records | ACD-71280
Classical / Modern Classical / Chamber Music / Post Minimalism

When it comes to composers broadly categorized under the heading of minimalism, it's rare to find works grouped by genre in the conventional way. But the Attacca Quartet, a young group out of New York's Juilliard School, shows what can be done with this set of three pieces by John Adams, entirely different in tone but clearly the products of the same composer. The best-known work on the program, John's Book of Alleged Dances (1994), has been recorded several times.

Terry Riley - In C - Raoul Duguay, SMCQ, Walter Boudreau (2000) {Atma Classique ACD 2 2251}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 314 Mb | MP3 @320 -> 136 Mb
Full Artwork @ 300 dpi (jpg) -> 21 Mb | 5% repair rar
© 2000 Atma Classique | ACD 2 2251
Classical / Contemporary Classical / Avant-Garde / Experimental / Minimalism

"In C" is one of those contemporary works of which each listening differs from the previous one. Not because the interpretation is better or worse, but because the score is moving, according to the wishes of Terry Riley. We know, with "Stimmung", "In C is one of the two great works of the 60s, reacting against the excessive drift of contemporary music, serial type Terry Riley wanted to reappropriate modern and traditional music, in especially those coming from the East.