Alonge

Un'ambigua leggenda: Cinema italiano e Grande Guerra - Giaime Alonge  eBooks & eLearning

Posted by Maroutan at Aug. 24, 2023
Un'ambigua leggenda: Cinema italiano e Grande Guerra - Giaime Alonge

Un'ambigua leggenda: Cinema italiano e Grande Guerra - Giaime Alonge
Italiano | 2020 | 184 Pages | ISBN: 8815287434 | EPUB | 7.17 MB

A oltre cent'anni di distanza, la Prima guerra mondiale continua a essere fonte d'ispirazione per la cinematografia internazionale. Nel cinema italiano il conflitto del 1915-18 ha avuto per fortune alterne. Durante il ventennio mussoliniano, la nostra industria cinematografica si avvicina di rado al tema, sebbene il fascismo fosse sorto proprio dall'esperienza bellica.
Miles Davis - Quiet Nights (1964) [Reissue 2000] SACD ISO + DSD64 + Hi-Res FLAC

Miles Davis - Quiet Nights (1964) [Reissue 2000]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 39:24 minutes | Scans included | 1,25 GB
or DSD64 2.0 (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Full Scans included | 1,12 GB
or FLAC (carefully converted & encoded to tracks) 24bit/96 kHz | Full Scans included | 953 MB

Quiet Nights is a studio album by jazz musician Miles Davis, and his fourth album collaboration with Gil Evans, released in 1964 on Columbia Records. Recorded mostly at Columbia's 30th Street Studios in Manhattan, it is the final album by Davis and Evans.

Afrocentricity in AfroFuturism: Toward Afrocentric Futurism  eBooks & eLearning

Posted by arundhati at May 28, 2024
Afrocentricity in AfroFuturism: Toward Afrocentric Futurism

Aaron X. Sm

Afrocentricity in AfroFuturism: Toward Afrocentric Futurism  eBooks & eLearning

Posted by arundhati at May 28, 2024
Afrocentricity in AfroFuturism: Toward Afrocentric Futurism

Aaron X. Smith, "Afrocentricity in AfroFuturism: Toward Afrocentric Futurism"
English | ISBN: 1496847849 | 2023 | 242 pages | EPUB, PDF | 3 MB + 5 MB
Antonio Carlos Jobim - Tide (1970/2014) [Official Digital Download 24-bit/192kHz]

Antônio Carlos Jobim - Tide (1970/2014)
FLAC (tracks) 24-bit/192 kHz | Time - 35:10 minutes | 1,46 GB
FLAC (tracks) 24-bit/96 kHz | Time - 35:10 minutes | 788 MB
Studio Master, Official Digital Download | Artwork: Front cover

One of Antonio Carlos Jobim's best-known albums, 1970's „Tide“ is a companion piece to 1967's „Wave“, a similarly lush and smooth collection for producer Creed Taylor's CTI Records. In fact, this album's lengthy title track is a theme-and-variations exploration of the main melodic line from WAVE's title track.
Antonio Carlos Jobim - Tide (1970/2014) [Official Digital Download 24-bit/192kHz]

Antônio Carlos Jobim - Tide (1970/2014)
FLAC (tracks) 24-bit/192 kHz | Time - 35:10 minutes | 1,46 GB
FLAC (tracks) 24-bit/96 kHz | Time - 35:10 minutes | 788 MB
Studio Master, Official Digital Download | Artwork: Front cover

One of Antonio Carlos Jobim's best-known albums, 1970's „Tide“ is a companion piece to 1967's „Wave“, a similarly lush and smooth collection for producer Creed Taylor's CTI Records. In fact, this album's lengthy title track is a theme-and-variations exploration of the main melodic line from WAVE's title track.

Afrocentricity in AfroFuturism: Toward Afrocentric Futurism  eBooks & eLearning

Posted by arundhati at May 28, 2024
Afrocentricity in AfroFuturism: Toward Afrocentric Futurism

Aaron X. Smith, "Afrocentricity in AfroFuturism: Toward Afrocentric Futurism"
English | ISBN: 1496847849 | 2023 | 242 pages | EPUB, PDF | 3 MB + 5 MB
Miles Davis - Quiet Nights (1964) [Reissue 2000] SACD ISO + DSD64 + Hi-Res FLAC

Miles Davis - Quiet Nights (1964) [Reissue 2000]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 39:24 minutes | Scans included | 1,25 GB
or DSD64 2.0 (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Full Scans included | 1,12 GB
or FLAC (carefully converted & encoded to tracks) 24bit/96 kHz | Full Scans included | 953 MB

Quiet Nights is a studio album by jazz musician Miles Davis, and his fourth album collaboration with Gil Evans, released in 1964 on Columbia Records. Recorded mostly at Columbia's 30th Street Studios in Manhattan, it is the final album by Davis and Evans.
John Lewis - The Golden Striker (1960) {2013 Japan Jazz Best Collection 1000 Series WPCR-27260}

John Lewis - The Golden Striker (1960) {2013 Japan Jazz Best Collection 1000 Series WPCR-27260}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 198 Mb | MP3 @320 -> 83 Mb
Full Artwork @ 300 dpi (png) -> 25 Mb | 5% repair rar | 24-bit remaster
© 1960, 2013 Atlantic / Warner Japan / Rhino | WPCR-27260 | Jazz Best Collection 1000 Series
Jazz / Third Stream / Bop / Cool / Piano

Features 24 bit remastering and comes with a mini-description. Serious compositional material by John Lewis – a series of work based upon the Italian tradition of commedia dell'arte, written for a larger group of brass instruments – and given a real "classics meets jazz" sort of vibe – but also handled with a gentle swing, too! Although Gunther Schuller's on the album in the French Horn section, Lewis himself conducts the ensemble – leading the brass section through a range of very short "fanfares" and longer tunes that feature Lewis on piano, George Duvivier on bass, and Connie Kay on drums. Titles include "Fanfare 1", "Piazza Navona", "Odds Against Tomorrow", "Piazza Di Spagna", and "La Cantatrice".

Gato Barbieri - The Impulse Story (2006) {Impulse!}  Music

Posted by tiburon at Nov. 23, 2017
Gato Barbieri - The Impulse Story (2006) {Impulse!}

Gato Barbieri - The Impulse Story (2006) {Impulse!}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 384MB + 5% Recovery
MP3 CBR 320 Kbps | 153MB + 5% Recovery
Genre: Jazz, Latin Jazz

Gato Barbieri may be one of those saxophonists whose sound is so closely associated with smooth jazz – and has been since the late '70s – that it's hard to imagine he was once the progenitor of a singular kind of jazz fusion: and that's world fusion, not jazz-rock fusion. Barbieri recorded four albums for Impulse! between 1973 and 1975 that should have changed jazz forever, in that he provided an entirely new direction when it was desperately needed. That it didn't catch certainly isn't his fault, but spoke more to the dearth of new ideas that followed after the discoveries of John Coltrane, Ornette Coleman, and Miles Davis. Barbieri, a Coltrane disciple, hailed from Argentina and sought to bring the music of Latin America, most specifically its folk forms, into the jazz arena.