GRAMOPHONE Magazine Editor's Choice - October 2015.The Artemis Quartet pairs Brahms’ intense first quartet with his lighter-spirited third quartet, both works that the Artemis’ cellist, Eckart Runge, describes as “remarkable and multi-faceted”. He says that “Brahms marries a Romantic spirit with the structure and forms of Classicism. There is an almost symphonic approach in the writing, but at the same time the quartets are imbued with a sense of warmth, immediacy, friendship and love that is interwoven with a more spiritual, timeless beauty”.
ARTEMIS is a jazz supergroup featuring pianist and musical director Renee Rosnes, clarinetist Anat Cohen, tenor saxophonist Melissa Aldana, trumpeter Ingrid Jensen, bassist Noriko Ueda, drummer Allison Miller, and vocalist Cécile McLorin Salvant who will release their debut album on Blue Note Records in 2020. Each renowned for her outstanding solo work, the band members form an unparalleled international line-up hailing from the US, Canada, France, Chile, Israel, and Japan. The musicians first assembled for a European festival tour in summer 2017, and eventually named themselves after the Greek goddess Artemis who was the daughter of Zeus and Leto, the twin sister of Apollo, the patron and protector of young girls, and the goddess of hunting, wild nature, and chastity. ARTEMIS has been featured in Vanity Fair and on NPR’s Jazz Night In America, who broadcast the band’s tremendous 2018 performance at the Newport Jazz Festival.
Listeners who think they know Schubert's popular Quartettsatz in C minor and String Quintet in C major should try this 2008 recording of those works by the Artemis Quartet. The driving Quartettsatz beginning the disc is justly famous for inaugurating Schubert's maturity as a chamber music composer, but the tender Andante following it here is a rarely recorded fragment that would have furnished the Quartettsatz with a slow movement had Schubert completed the movement.
The Artemis Quartet have established one of the richest discographies among modern string quartets. This album highlights great figures of German Romanticism from the earliest Beethoven masterpieces to Schubert's and Schumann's masterworks.
Originally released in 2000 on Ars Musici, the sublime recordings by the Artemis Quartett of György Ligeti's String Quartet No. 1, "Métamorphoses nocturnes" (1953-1954), and his String Quartet No. 2 (1968) fully merit this 2005 reissue by Virgin Classics, not only for the high quality of the music surely some of the most communicative and rewarding quartet music since Bartók or Shostakovich but also for the precision, depth, and resonance of the group's playing.
Following the Artemis Quartet‘s prizewinning Beethoven Quartet cycle on Virgin Classics, the Berlin-based ensemble has recorded Schubert’s last three quartets, works that Artemis cellist Eckart Runge praises for both their “incredible simplicity and purity” and their “almost terrifying modernism”.