Ghanian composer, singer, guitarist, arranger, producer, and bandleader Ebo Taylor came to the attention of DJs in the U.K. and throughout Europe in the early part of the 21st century. His legend spread among hip-hop and dance music producers in the United States as well, resulting in a sample from his slamming track "Heaven" in Usher's hit "She Don’t Know." The seminal Strut imprint issued Taylor's first transglobal offering, Love & Death in 2010: it was a smash in club circles internationally. Strut has gone one better with Life Stories: Highlife & Afrobeat Classics 1973-1980, compiling two discs of Taylor's solo work and that of bands he's led, taken part in, or produced. The music here leans most heavily on Taylor's solo albums. It kicks off, of course, with the infectious, groove-laden "Heaven," but this isn't the high point…
"Moments Free" is Christina's long-awaited debut album and it's scheduled for release on the 19th of April. All songs but one are written or co-written by Christina and she is superbly backed up by her own band as well as the likes of Daniel Karlsson (piano), Per-Erik Domargård (vocals) and Magnus Lindgren (sax, clarinet, flute). Magnus has also produced the album together with Christina.
Although the 37-year-old singer Christina Gustafsson has been performing in her native Sweden for quite a few years, Moments Free is her long overdue recording debut. She wrote all but one selection (the pop song "Daydream") and sings throughout in English without any real accent. The music is certainly diverse, from swinging jazz and ballads to folk music and pop that slightly recalls Norah Jones. Gustafsson's voice is quite attractive and flexible, and she shows consistent enthusiasm, clearly loving singing. In addition, her lyrics are quite intelligent and occasionally insightful. Her backup group is impressive, with guitarist Max Schultz getting a fair amount of solo space and the musicians having a very good feel for her originals. Clearly Christina Gustafsson has a potentially significant future, no matter which direction she ultimately decides to take.
King Sunny Adé had been making his own music since 1974 with his group the Green Spots before creating his large African Beats group. This band, despite making literally over 100 records in Nigeria, failed to stir much Western interest until Mango Records, a subsidiary of Island, took a chance and issued the breakthrough album Juju Music in 1982. With its seven extended cuts, it introduced King Sunny Adé & His African Beats to the U.S. as well as England and most of the rest of Europe – save for France, where the band had previously been able to tour. This U.K. two-fer reissue of 1983's Synchro System and Aura (on Cherry Red's T-Bird imprint) is comprised of the other two recordings in the band's Mango catalog (the band was dropped after sales of these two recordings proved disappointing to label bosses who tried to market Adé as "the new Bob Marley").
Multi award-winning recording artist Katie Melua has announced an extensive 45-date headline 2020 tour, including 18 UK & Eire dates. The announcement of the tour coincides with news of a ‘Live In Concert’ 2xCD album featuring Gori Women’s Choir, recorded at London’s Central Hall, Westminster, in December 2018. Gori Women’s Choir first worked with Katie on the silver-certified 2016 album ‘In Winter’. That album was recorded in Georgia, and commanded some of the finest reviews of her career with the Sunday Times describing it as “bewitching…ravishing…spellbinding” and the Independent as “exquisite” and “remarkable.”