Driving Through Forever - The Ultimate Crush 40 Collection is a two-disc CD and DVD compilation album featuring Crush 40's greatest hits, and a new track titled "Call Me Crazy". Most of the tracks are Sonic the Hedgehog-related.
Sir David Coverdale has returned with a new album that is a true return to Whitesnake’s 1980’s dominance. It is not a simple case of saying this is the next 1987 or Slide It In as Forevermore stands on it’s own merits. That said, it does sit nicely on a shelf next to these two classics…
The big news for Selena Gomez before the release of her sixth album, Rare, is that she finally had a number one single after years of getting close. The introspective and emotionally raw ballad "Lose You to Love Me" surrounded Gomez's aching vocals with sparse piano, swirling strings, and lush background vocals, and connected instantly with her fans and anyone who ever had to ditch someone in order to save themselves. That song, and the record it appears on, mark something of a turning point in her career. Where in the past she focused mostly on breezy sentiments, playful frothy pop, and more recently sexy come-ons, now she's digging deeper and mining her own life and loves for subject matter in more obvious and revealing ways. It may not be totally confessional – and each song is helped to the finish line by teams of professional songwriters – but within the realm of mainstream modern pop, Rare is surprisingly honest lyrically and Gomez sounds more open and invested in the songs than ever before.
Classical Opera continue their series of Mozart Operas on Signum with Mozarts Mitridate, re di Ponto, K. 87 (74a). Mozarts first great operatic success premiered at the Teatro Regio Ducale in Milan on 26 Dec 1770, marking the culmination of Mozarts first trip to Italy. The work received an initial twenty-two performance run sure proof of success and news of this astonishing youthful work spread quickly. As well as the complete opera, this 4CD set includes a bonus disc featuring original versions of a number of arias from the opera that Mozart subsequently changed in the final version.