Avishai Cohen’s third CD for the Stretch Records label, Colors, features the talented bassist, composer, arranger, producer, and pianist trusting his own imagination and intelligence in order to capture the auras of chord progressions and rhythmic patterns with this excellent use of musical metaphors. The composer wrote 13 selections for this program and each is a meeting of artistic colors, each rare and emanating its own originality through Cohen’s sense of harmony, expansive tones, and polyrhythms. His earthy placement of “Shay Ke,” a warm, ballad filled with the funk-Middle Eastern oud solo of Amos Hoffman, vocals of Claudia Acuna, and individual gifts from Jimmy Greene on soprano saxophone, is a prime example of Cohen’s ability to realize his maturing non-conformism. The inclusion of Avi Lebovich on trombone in addition to Steve Davis, makes the experiences of his circle of friends a splendid chance to grow musically.
Although tenor sax/bass/drums trio recordings have been plentiful for decades, a trumpeter plus bass and drums has been an infrequent combination on record. The young Israeli Avishai Cohen is up to the challenge, accompanied by bassist Omer Avital and drummer Nasheet Watts. Cohen's interpretation of Don Cherry's "Art Deco" is playful and lighthearted, while his expressive muted horn in the slow, slinky take of Duke Ellington's oft-recorded "Mood Indigo" would have likely made its composer smile.
Now one of the most popular jazz players of the past decade, Avishai Cohen takes his artistic approach to its zenith, with Seven Seas. Featuring nursery rhymes, lullabies and suites in which heroic inspiration and symphonics abound. Seven Seas plunges us into a fabulous sound voyage, in which understatement and magnitude play a never-ending game of ping-pong, a trip that easily transposes to the silver screen. Once you get past the opening credits dripping in joyful nostalgia, you steer past isles of rhythm and continents of sound, winding up with a traditional piano ladino with Cohen's intense vocals. Cohen has reached a new pinnacle as an artist. It's more of a fusion album, perhaps bringing us closer to reality of an odyssey, with its title that transports us into nautical legend: seven seas' many twists and turns make it the most exciting of albums in Cohen's discography.
Avishai Cohen impressed a lot of listeners with his soulful contributions to Mark Turner’s Lathe of Heaven album in 2014. Now the charismatic Tel Aviv-born trumpeter has his ECM leader debut in a programme of expansive and impressionistic compositions for jazz quartet (trumpet, piano, bass, drums), augmented by tenor saxophone on a few pieces. Into The Silence is dedicated to the memory of Avishai’s father David, reflecting upon the last days of his life with grace and restraint. Avishai’s tender muted trumpet sets the emotional tone of the music in the album’s opening moments and his gifted cast of musicians explore its implications. Israeli pianist Yonathan Avishai has played with Cohen in many settings and solos creatively inside the trumpeter’s haunting compositions, sometimes illuminating them with the phraseology of the blues.
Avishai Cohen impressed a lot of listeners with his soulful contributions to Mark Turner’s Lathe of Heaven album in 2014. Now the charismatic Tel Aviv-born trumpeter has his ECM leader debut in a programme of expansive and impressionistic compositions for jazz quartet (trumpet, piano, bass, drums), augmented by tenor saxophone on a few pieces. Into The Silence is dedicated to the memory of Avishai’s father David, reflecting upon the last days of his life with grace and restraint. Avishai’s tender muted trumpet sets the emotional tone of the music in the album’s opening moments and his gifted cast of musicians explore its implications. Israeli pianist Yonathan Avishai has played with Cohen in many settings and solos creatively inside the trumpeter’s haunting compositions, sometimes illuminating them with the phraseology of the blues.