Aachener Walzer. Tschaikowski: „mozartiana“, Parfenov: Violinkonzert u. A.; Ioana Cristina Goicea,

Tchaikovsky stayed in Aachen for six weeks in 1887, during which time he orchestrated his Mozartiana. He also left behind 16 bars of music from his diary, and the Aachener Walzer is André Parfenov’s completion of this otherwise unknown mini-waltz. Further works by Parfenov include a Violin Concerto on the subject of war, peace and human symbiosis, and a reflection on the life of a remarkable avant-garde painter in his Malevich Suite. Completing the framework for this recording is Tchaikovsky’s orchestral suite Mozartiana, which spotlights Mozart’s little-known smaller pieces to charming effect.

Depending on one's tolerance for puzzles, Heinz Holliger's Violin Concerto is either a meaningful tribute to an obscure artist or an indecipherable jumble hidden behind layers of extraneous associations. Commissioned for the 75th anniversary of the Orchestre de la Suisse Romande, the work is an homage to the erstwhile last chair of the OSR's second violins, Louis Soutter; and, perhaps secondarily, to his teacher, Eugene Ysaÿe. No matter that Soutter was fired by Ernest Ansermet, and afterwards lived in poverty as an outcast.