Whereas Rush's first two releases, their self-titled debut and Fly by Night, helped create a buzz among hard rock fans worldwide, the more progressive third release, Caress of Steel, confused many of their supporters. Rush knew it was now or never with their fourth release, and they delivered just in time – 1976's 2112 proved to be their much sought-after commercial breakthrough and remains one of their most popular albums…
This new 4CD / 1DVD Super Deluxe Box Set version comprises a host of bonus material including; B-sides and extended mixes; BBC sessions; a previously unreleased Glasgow Barrowlands concert; promo videos; Top Of The Pops and Oxford Road Show footage; a booklet containing sleeve notes and interviews plus track by track annotation and a reproduction concert programme…
The 35th anniversary Eye in the Sky collector's box set includes 3 CDs (CD1: Original Album Expanded + bonus tracks, CD2: Eric Woolfson's Songwriting Diaries, CD3: Previously Unreleased Bonus Material and Disc 4: 5.1 Surround Sound and Stereo HD version of the original album on Blu-ray)…
On 1977's A Farewell to Kings it quickly becomes apparent that Rush had improved their songwriting and strengthened their focus and musical approach. Synthesizers also mark their first prominent appearance on a Rush album, a direction the band would continue to pursue on future releases…
Conventional wisdom holds that the Beatles intended Abbey Road as a grand farewell, a suspicion seemingly confirmed by the elegiac note Paul McCartney strikes at the conclusion of its closing suite. It’s hard not to interpret “And in the end / the love you take / is equal to the love you make” as a summation not only of Abbey Road but perhaps of the group’s entire career, a lovely final sentiment. The truth is perhaps a bit messier than this. The Beatles had tentative plans to move forward after the September 1969 release of Abbey Road, plans that quickly fell apart at the dawn of the new decade, and while the existence of that goal calls into question the intentionality of the album as a finale, it changes not a thing about what a remarkable goodbye the record is.
Conventional wisdom holds that the Beatles intended Abbey Road as a grand farewell, a suspicion seemingly confirmed by the elegiac note Paul McCartney strikes at the conclusion of its closing suite. It’s hard not to interpret “And in the end / the love you take / is equal to the love you make” as a summation not only of Abbey Road but perhaps of the group’s entire career, a lovely final sentiment. The truth is perhaps a bit messier than this. The Beatles had tentative plans to move forward after the September 1969 release of Abbey Road, plans that quickly fell apart at the dawn of the new decade, and while the existence of that goal calls into question the intentionality of the album as a finale, it changes not a thing about what a remarkable goodbye the record is.
The ultimate exploration into Elton John’s extensive back catalogue, ‘Jewel Box’ encompasses a selection of deep cuts chosen by Elton himself; rarities from the earliest stage of his and Bernie Taupin’s musical journey; B-sides spanning 30 years, and songs discussed in Elton’s best-selling, critically acclaimed 2019 memoir, ‘Me’. The eight discs come in a beautiful hardcover book, enclosed in an outer slipcase. Each section contains extensive notes and, for ‘Deep Cuts’, there is track-by-track commentary by Elton. The set contains an unprecedented number of previously unheard, unreleased tracks from 1965-1971, the years that cemented the foundations of the iconic John-Taupin partnership: ‘Jewel Box’ truly is a treasure trove for Elton John fans.