The premiere of Rachmaninov’s Symphony No. 1 in D minor was a notorious failure. It took until the 1940s for the work to gain recognition, and it contains much that is recognisable from the composer’s later works – brooding intensity, lyricism and yearning, orchestral colour and grandeur, written in a profoundly Russian manner. Unperformed during his lifetime, Prince Rostislav exudes Rachmaninov’s familiar qualities of melancholy and voluptuousness; and both works feature his pervasive use of the Dies irae theme. These acclaimed VOX recordings conducted by Leonard Slatkin were originally issued in 1977 and 1982.
Rachmaninov’s final work – and the only one composed fully in the United States – was the Symphonic Dances. It embraces jazz elements and ecstatic expressiveness and is both a valediction and a summation of his creativity. The Isle of the Dead is a lamentation utilising a variant of the Dies irae – it is a stirring, transformative work that begins and ends in stillness. The early Caprice bohémien and Scherzo in D minor complete this programme of Leonard Slatkin’s admired Rachmaninov recordings on VOX, heard here newly remastered from the original tapes. The Elite Recordings for VOX by legendary producers Marc Aubort and Joanna Nickrenz are considered by audiophiles to be amongst the finest sounding examples of orchestral recordings.
Rachmaninov’s final work – and the only one composed fully in the United States – was the Symphonic Dances. It embraces jazz elements and ecstatic expressiveness and is both a valediction and a summation of his creativity. The Isle of the Dead is a lamentation utilising a variant of the Dies irae – it is a stirring, transformative work that begins and ends in stillness. The early Caprice bohémien and Scherzo in D minor complete this programme of Leonard Slatkin’s admired Rachmaninov recordings on VOX, heard here newly remastered from the original tapes. The Elite Recordings for VOX by legendary producers Marc Aubort and Joanna Nickrenz are considered by audiophiles to be amongst the finest sounding examples of orchestral recordings.
Rachmaninov’s final work – and the only one composed fully in the United States – was the Symphonic Dances. It embraces jazz elements and ecstatic expressiveness and is both a valediction and a summation of his creativity. The Isle of the Dead is a lamentation utilising a variant of the Dies irae – it is a stirring, transformative work that begins and ends in stillness. The early Caprice bohémien and Scherzo in D minor complete this programme of Leonard Slatkin’s admired Rachmaninov recordings on VOX, heard here newly remastered from the original tapes. The Elite Recordings for VOX by legendary producers Marc Aubort and Joanna Nickrenz are considered by audiophiles to be amongst the finest sounding examples of orchestral recordings.
Erik Chisholm is a Scottish-born composer and friend of Bartók whose music has experienced a substantial revival. It's not quite correct to call him a Scottish composer, for the last two decades of his life were spent outside Scotland (mostly in South Africa), and Scottish nationalism is only one of the unique mix of influences in his music. It's not that he's "eclectic" in the modern sense.