Abbey Simon, St. Louis Symphony Orchestra And Leonard Slatkin Rachmaninoff: Piano Concertos Nos. 1 & 4

Rachmaninov’s Symphony No. 3 in A minor is a radiant synthesis of the composer’s early and later periods. Poorly received at the time, its lyricism and colour are pervasive and it has duly taken its place in the repertoire, not least because of its warm-hearted voluptuousness, rhythmic vitality and inventive structure. Written in 1891, a single movement is all that exists of the Symphony in D minor ‘Youth’, while The Rock is an early example of Rachmaninov’s powers of descriptive intensity. These acclaimed VOX recordings conducted by Leonard Slatkin were originally issued in 1979 and 1982.

This wonderful CD is the product of the Chandos phenomenon; they find a neglected masterpiece that is unplayed and unknown, they record it brilliantly with a top class orchestra and conductor with soloists if appropriate and sell it to people like me, lovers of the English Musical Renaissance of the early part of the twentieth century. This CD contains well over an hour of the most tuneful and innovative music you can buy.

The great 19th-century violinist Joseph Joachim provides a connection between Dvořák’s Violin Concerto and that by his friend Brahms, having given invaluable advice to both composers regarding the works. Dvořák’s Czech spirit is given extra weight through Brahms’ influence, with Classical stature meeting eloquent Slavonic vitality to create a splendid masterpiece, performed here by Ruggiero Ricci in this acclaimed recording. The Piano Concerto is characteristic of the younger Dvořák. It was long championed by soloist Rudolf Firkušný, whose reputation for placing cultured musicianship before extrovert virtuosity suited the work perfectly. This classic VOX recording remains one of the finest versions of the Piano Concerto available, played by the work’s greatest advocate. The Elite Recordings for VOX by legendary producers Marc Aubort and Joanna Nickrenz are considered by audiophiles to be amongst the finest sounding examples of orchestral recordings.

Amongst a pantheon of great Czech composers it is Bedrich Smetana who is revered as the musical personification of his country’s national spirit and the founder of its modern musical character. Composed after the onset of Smetana’s incurable deafness, Má vlast (My Fatherland) is an unprecedented cycle of six related symphonic poems that evoke ancient Czech legends and celebrate the majestic beauty of the country’s landscapes. Acclaimed with ‘unending storms of applause’ at its 1882 premiere, Má vlast reflects the unique characteristics that form the living heart and soul of the Czech nation.

Despite the recording dates, the sound and balance are superb, and there's nothing to cloud your sense of Ashkenazy's greatness in all these works. From him every page declares Rachmaninov's nationality, his indelibly Russian nature. What nobility of feeling and what dark regions of the imagination he relishes and explores in page after page of the Third Concerto. Significantly his opening is a very moderate Allegro ma non tanto, later allowing him an expansiveness and imaginative scope hard to find in other more 'driven' or hectic performances. His rubato is as natural as it's distinctive, and his way of easing from one idea to another shows him at his most intimately and romantically responsive.