Tomorrow's Gift first album is a true German Krautrock classic. Powerful long tracks with plenty of guitar, organ, flute and drum solos and of course with Ellen Meyers strong vocals, often compared with Inga Rumpf from Fumpy or Janis Joplin. Indeed Tomorrows Gift and Frumpy musically had a lot in common and are highly appreciated by many fans till today. The recordings were newly remastered and for the first time there is a comprehensive story of the band with a lot of unseen photos describing the decline and fall of Tomorrows Gift written by band founder Manfred Rürup. CD comes with a 28 pages booklet.
Galliard were in on the ground floor of the British progressive rock movement, releasing their debut album, Strange Pleasure, in 1969 and mixing jazz, rock, folk, and psychedelic influences. The following year, New Dawn pretty much picked up where its predecessor left off, with one key exception. The band had initially featured two wind players, Dave Caswell and John Smith; though Smith was absent from New Dawn, a whole brace of additional horn players had been brought in to augment the sound. This was during the period when the likes of Chicago and Blood, Sweat & Tears (and their British equivalents) were starting out, and brass-rock was all the rage. That's not to suggest that Galliard were trying to ride the brass-rock gravy train – their work is too skilled and varied for that – but simply that they were right in time for the Zeitgeist.
Awakening… (1969). From the legendary hard rocking South African psych rock scene, alongside such greats as Freedom’s Children, and Suck, comes The Third Eye. Awakening is the Third Eye’s debut full length, originally released in 1969, and is a masterful and complex album of late sixties South African heavy psych, featuring fuzzed out guitars, great brass arrangements and virtuosic organ work, provided by the young Dawn Selby, who, at the time of recording was all of 14 years old…