Absolvere Signs of The Swarm

VA - RZA presents Wu-Tang Killa Bees: The Swarm (Volume 1) (1998) {Wu-Tang/Priority}

VA - RZA presents Wu-Tang Killa Bees: The Swarm (Volume 1) (1998) {Wu-Tang/Priority}
WEB Rip | FLAC (no log)| scans | 336 mb
MP3 CBR 320 kbps | RAR | 130 mb
Genre: hip-hop, rap

RZA presents Wu-Tang Killa Bees: The Swarm (Volume 1) is a 1998 compilation highlighing some of the affiliate artists from the Wu-Tang Clan and family, commonly known as Wu Fam. A small han

Fans Of The Dark - Video (2024) {Japanese Edition}  Music

Posted by popsakov at Dec. 11, 2024
Fans Of The Dark - Video (2024) {Japanese Edition}

Fans Of The Dark - Video (2024) {Japanese Edition}
XLD Rip | FLAC (Img) + Cue + Log ~ 424 Mb | MP3 CBR320 ~ 144 Mb
Full Scans | 00:51:07 | RAR 5% Recovery
Hard Rock | Avalon #MICP-11879

“Video” is the third chapter of the Swedish act Fans Of The Dark, an exciting new band formed in 2020 by Freddie Allen, drummer and main songwriter and lead vocalist Alex Falk, when they reconnected few year after the high school, where they went together, with a vision to create a band which would mix the melodies and approach of classic and melodic rock. Their musical output continue over the path of their first two albums and “Video” is one of the most exciting things you'll hear emerging from the fruitful melodic rock in Sweden, showcasing a tight, inventive musical approach with outstanding vocals. Get ready for a fantastic ride!

Pink Floyd - Signs Of The Times (2006)  Music

Posted by ciklon5 at Nov. 27, 2024
Pink Floyd - Signs Of The Times (2006)

Pink Floyd - Signs Of The Times (2006)
FLAC (tracks), Lossless | 2:19:25 | 844 Mb
Genre: Psychedelic Rock, Prog Rock

Live at the Orange Bowl, Miami, Florida, USA 1st November 1987.Stereo Soundboard Recording
Terminator X & The Valley Of The Jeep Beets - s/t (1991) {P.R.O. Division/Rush Associated Label/Columbia} **[RE-UP]**

Terminator X & The Valley Of The Jeep Beets - s/t (1991) {P.R.O. Division/Rush Associated Label/Columbia}
EAC Rip | FLAC with CUE and log | scans | 323 mb
MP3 CBR 320kbps | RAR | 122 mb
Genre: hip-hop, rap

Terminator X & The Valley Of The Jeep Beets is the 1991 self-titled debut album by Public Enemy DJ Terminator X and his "crew", The Valley Of The Jeep Beets. It is actually a various artists project with Terminator X doing the DJ'ing and while X gets credit for production, it was actually done by Carl Ryder (b/k/a Chuck D. of Public Enemy) and The Bomb Squad production team. The CD featured the hits "Wanna Be Dancin'", "Homey Don't Play Dat", and "Buck Whylin'". This was released by P.R.O. Division, a short-lived Rush Associated label (a/k/a Def Jam) via Columbia.
Frans Brüggen, Orchestra of the Eighteenth Century, Nederlands Kamerkoor - Johann Sebastian Bach: Matthäus-Passion (2002)

Frans Brüggen, Orchestra of the Eighteenth Century, Nederlands Kamerkoor - Johann Sebastian Bach: Matthäus-Passion (2002)
EAC | FLAC | Image (Cue & Log) ~ 671 Mb | Total time: 160:14 | Scans included
Classical | Label: Philips | # 473 263-2 | Recorded: 1996

This is a St Matthew Passion which should please many readers. Bruggen’s interpretation is eloquent, thoughtful in matters of style and expressive content, and it benefits from a textural clarity which few competitors can rival. All aspects of Bach’s miraculous score are taken into account.
András Schiff, Orchestra of the Age of Enlightenment - Johannes Brahms: Piano Concertos (2021)

András Schiff, Orchestra of the Age of Enlightenment - Johannes Brahms: Piano Concertos (2021)
EAC | FLAC | Tracks (Cue & Log) ~ 405 Mb | Total time: 78:43 | Scans included
Classical | Label: ECM Records | # 485 5770 | Recorded: 2019

“My enthusiasm for Brahms goes back to my youth, and the piano concertos are largely responsible for it,” writes Sir András Schiff in a liner note for this remarkable new recording. It finds the great pianist reassessing interpretive approaches to Brahms in the inspired company of the Orchestra of the Age of Enlightenment. To fully bring out the characteristics of Brahms’s music Schiff’s choice of instrument is a Blüthner piano built in Leipzig around 1859, the year in which the D minor concerto was premiered.
David Daniels, Harry Bicket, Orchestra of the Age of Enlightenment - Sento Amor: Operatic Arias (1999)

David Daniels, Harry Bicket, Orchestra of the Age of Enlightenment - Sento Amor: Operatic Arias (1999)
EAC | FLAC | Image (Cue & Log) ~ 266 Mb | Total time: 61:10 | Scans included
Classical | Label: Virgin Veritas | # 5 45365 2 | Recorded: 1999

After a fine Handel recital CD, not to mention taking part in a dozen other major recordings, countertenor David Daniels has hit the jackpot. This fascinating, handsomely recorded CD offers us arias from Mitridate and Ascanio in Alba, and a concert aria by Mozart (the only one he composed for male alto), as well as some Handel and Gluck arias. With them, Daniels takes us through every quality a classically trained singer should have and comes through with flying colors. The arias are about vengeance, sorrow, love–the usual–but within baroque strictures that means that some require lush, limpid singing, others ferocious coloratura and exclamatory heft, and some all of these.
Choir of The Queens College Oxford, Academy of Ancient Music - How Are The Mighty Fallen: Choral Music by Giovanni Bononcini

Choir of The Queens College Oxford, Academy of Ancient Music - How Are The Mighty Fallen: Choral Music by Giovanni Bononcini
FLAC (tracks), Lossless +Booklet | 1:10:56 | 331 Mb
Genre: Classical

The Choir of The Queen’s College, Oxford, Academy of Ancient Music, and an outstanding array of soloists join forces to breathe new life into the choral works of Giovanni Bononcini (1670-1747). Bononcini was Handel’s main rival in London, and with little to separate the two in terms of public status and reputation, they were dubbed the Tweedle-dum and Tweedle-dee of London’s music scene in the 1720s. Soon after his arrival in London Bononcini was afforded the honour of writing a grand orchestral anthem – When Saul was King – for the magnificent funeral of the Duke of Marlborough. Bononcini’s music was particularly highly prized by members of London’s original Academy of Ancient Music. Given this contemporary reputation and the quality of his works for voices and orchestra, it is surprising that Bononcini sacred music has now fallen into obscurity. This is the first recording not only of Ave maris stella and Laudate pueri but also of the original D-major version of Bononcini’s Te Deum, and these works have been newly edited here from their English eighteenth-century sources.

Spirit of the Beehive - You'll Have to Lose Something (2024)  Music

Posted by delpotro at Sept. 7, 2024
Spirit of the Beehive - You'll Have to Lose Something (2024)

Spirit of the Beehive - You'll Have to Lose Something (2024)
EAC Rip | FLAC (tracks+log+.cue) - 243 Mb | MP3 CBR 320 kbps - 89 Mb | 00:38:31
Indie Rock, Dreampop, Neo-psychedelia | Label: Saddle Creek Records

For the past decade, Spirit of the beehive have honed an aesthetic like no other. They’ve chopped up samples, chewed them up, spit them back out again, baby birded it. Across four albums and a smattering of EPs, Zack Schwartz, Corey Wichlin, and Rivka Ravede have fully solidified their stance as some of rock’s weirdest and best deconstructionists. 2018’s Hypnic Jerks was a study in noise punk sampledelia. It was a breakthrough for the band. Frank Ocean became a fan, spinning “fell asleep with a vision,” on Blonded Radio. 2021’s Entertainment Death, was nasty dream pop by way of K-Mart realism and hitting the channel search setting on an old TV set.
Mark Elder, Orchestra of the Age of Enlightenment - Gaetano Donizetti: Imelda de' Lambertazzi (2008)

Mark Elder, Orchestra of the Age of Enlightenment - Gaetano Donizetti: Imelda de' Lambertazzi (2008)
EAC | FLAC | Tracks (Cue & Log) ~ 559 Mb | Total time: 62:02+59:58 | Scans included
Classical | Label: Opera Rara | # ORC36 | Recorded: 2007

Imelda de'Lambertazzi (1830) was written just before Donizetti's first great international success, Anna Bolena, and it remains one of his many operas that has never made it into the repertoire. In his illuminating program notes, Jeremy Commons argues that Imelda was probably Donizetti's most forward-looking, even avant-garde opera; the composer was determined to create music that matched the demands of the drama, and therefore ignored many of the operatic conventions audiences had come to expect. It's no surprise, then, that it was badly received, and has rarely been revived.