With five separate volumes, Ace Story is the most comprehensive portrait of the seminal New Orleans R&B record label. Over the course of the series, each of the label's hits are featured, including "Sea Cruise," "Rockin' Pneumonia," and "Pop Eye," among others, as well as many lesser-known gems. During the late '50s and early '60s, Ace's roster featured such R&B giants as Huey "Piano" Smith, Eddie Bo, Joe Tex, Lightnin' Hopkins, Charles Brown, Amos Milburn, and Earl King; each artist is featured on at least one disc of Ace Story, along with several acts that didn't have hits, but recorded some outstanding tracks. Start with the first volume, then proceed to the other discs; every one is filled with timeless R&B.
To clear up a couple possible points of confusion about this 2010 release: although it came out on the British Ace label, it's actually a compilation of material that came out on the American Ace label between the mid-'50s and mid-'60s (with the exception of a couple cuts that didn't appear until the early '70s). Also, it's not identical to the 12-track LP titled The Ace Story, Vol. 2 that came out in the '70s. This edition adds 12 bonus tracks, making it a more comprehensive sampler of the label's rock and R&B.
Ace Frehley is a 1978 solo album from Ace Frehley, the lead guitarist and vocalist of American hard rock band Kiss. It was one of four solo albums released by the members of Kiss on September 18, 1978. The album featured Anton Fig on drums…
Universal International's The Ultimate Collection lives up to its name with a sprawling three-disc (for some people, a single-disc Ace of Base compilation just doesn't cut it) overview of the alternately beloved and reviled Swedish dance-pop outfit's career. For the most part, UC covers all of the same ground as 2000's Greatest Hits, 2003's Singles of the 90s, and Arista's Platinum & Gold Collection, balancing radio behemoths like "Don't Turn Around," "The Sign," and "All That She Wants" with smaller hits such as "Wheel of Fortune" and Bananarama's "Cruel Summer." What distinguishes The Ultimate Collection from previous comps is the inclusion of some deeper album cuts and an entire disc of remixes, in case "The Sign" didn't get stuck in your head the first time around. ~ James Christopher Monger
Best of Ace is a smartly assembled, fourteen-track collection which draws from each of the band's albums. Ace is best remembered for the ultra-slick "How Long," but little of the collection bears resemblance to that hit. Instead, they're shown doing what they did best (and more often) – playing laidback, rootsy pub-rock.
Popoloddities is a compilation, which included previously unreleased material.
Having roots as far back as 1959 with The Scavers and later releasing a single Arman Stumpe Dur Express, this Norwegian quintet that released two albums under the Popol Vuh moniker (a Maya mythology-related name), until they became aware of a German band using the same name, they changed their names to Popol Ace. The group went on to release another two albums before folding at the end of the decade. Musically, they sounded much straigjhter progressive rock than their German mystical homonyms: mellotrons and flute parts , funky jazz-rock and softer ballads were among their usual tricks found in their first two albums (S/T and Quiche Maya) under the Vuh name…
The great bluesman B.B. King, who died in 2015, was one of the few artists whose every note was of interest. This 25-track CD of mostly previously unissued recordings are drawn from his sessions for Modern Records between 1954 and 1962. Be Careful Baby is a rare thing a B.B. King song that has never been released before in any version, while two tracks appeared on Ace's 2014 RPM compilation Speak Easy. The version of Catfish Blues is from a completely different session to the familiar issued version and from B.B.'s commentary appears to be the version he played on the road. There are many comments from B.B. and the band which provide an insight into the recording process and B.B.'s relaxed and informal manner in the studio. The CD ends with a previous unheard interview, recorded backstage at the Fillmore Ballroom in San Francisco with radio station KSAY at the 10/10 spot on your dial. All tracks are from the original master tapes.