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Busoni never came closer to his dream of Italian music than with that night on May 11 1917 of double performance in Zurich, which he calls himself 'La Nuova Commedia dell' Arte' I ('Turandot') and II ('Arlecchino'). In the unusually short time from December 1916 to March 1917 Busoni reworked the already existing material to the Incidental Music of Gozzis 'Turandot' into an opera. This happen 4 years before Puccini started to work on the same contend. 'Arleccino', though in immediate neighbourhood to 'Dr. Faust' looking almost like a secondary work, is perhaps the composer's actual key work. The speaking hero of his 'theatralische Capriccio' represents a role model, which is at times more important to him than his aesthetic Faust, especially as the the World War increases.

Każdy ma swoją Ziemię Obiecaną. Coś za czym tęskni, czego mu brak, co chciałby, a nie może albo miał i utracił. Ziemia Utracona. Dobry tytuł na tomik poezji gdyby nie był parafrazą T.S.Eliota. „Najokrutniejszy miesiąc to kwiecień“ pisał poeta w „Ziemi Jałowej“. To prawda. Niezłe też bywają te poprzedzające kwiecień… ale co z tego? W końcu i tak nadchodzi wiosna.

The four cantatas selected by Philippe Herreweghe for this recording date from the first year of Bach s activity in Leipzig. Written at a tight pace between late July and early September 1723, they underscore the composer s obvious effort to establish original musical proposals. He continually showed musicians and listeners that he was not serving them routine cantor s music, but was writing sacred music as a true Kapellmeister. In this first volume of Bach cantatas for the PHI label, the Collegium Vocale Gent interprets some of the cantatas for the first time.

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