Achille Zoia

THE LOOM, the new quartet led by bassist Giacomo Papetti, features some of Italy's most original and active improvisers: Achille Succi on bass clarinet, Fulvio Sigurtà on trumpet/flugelhorn, and drummer Nelide Bandello.

THE LOOM, the new quartet led by bassist Giacomo Papetti, features some of Italy's most original and active improvisers: Achille Succi on bass clarinet, Fulvio Sigurtà on trumpet/flugelhorn, and drummer Nelide Bandello.

THE LOOM, the new quartet led by bassist Giacomo Papetti, features some of Italy's most original and active improvisers: Achille Succi on bass clarinet, Fulvio Sigurtà on trumpet/flugelhorn, and drummer Nelide Bandello.

For most music lovers and musicians, the name André Caplet conjures up images of a great conductor with an international career, and an outstanding orchestrator who orchestrated several works by Claude Debussy. But when we talk about the composer André Caplet, many seem to be unaware of the rich catalogue of works he was able to write despite his premature death at the age of 46.

Following in the footsteps of his elders (Chausson, Bizet, Gounod…), Gabriel Fauré perpetuated the tradition of incidental music to enhance plays and reinforce their dramaturgy. He left behind him several major works that are among the most beautiful pages of this repertoire, sometimes unfairly considered as old-fashioned by some of today's artists. Yet music for the stage is of major interest, especially from the golden age of French music, stretching from the mid-19th to the early 20th century, when live music was very much an integral part of the theatrical creation process. Today, not only do very few authors call upon composers to write music for the stage, but live music has also long since been replaced by the more convenient and, alas, undeniably more economical recording.