Adam Rogers

Chris Potter's quartet Underground should be looked upon as one of the many facets in the saxophonist's prismatic view of contemporary jazz. Certainly the band is oriented toward a progressive jazz image with the electric guitar work of the brilliant Adam Rogers and Craig Taborn's witty and pungent Fender Rhodes keyboard. Assumedly the concept of Underground harks somewhat to the fusion of Miles Davis, Herbie Hancock, and Chick Corea. But Potter's vision with this combo goes beyond those static and funkier values, entering a wilder, unabashed, and fierce aggression that cannot be corralled. In live performance at the storied Village Vanguard nightclub in Greenwich Village, you expect and receive long drawn-out compositions, extended solos especially from Potter, and new music tried out as audience experiments.

As the billing on the cover indicates, Chris Potter extends the creative envelope of his longstanding Underground Orchestra on his second date as a leader for ECM. Guitarist Adam Rogers, drummer Nate Smith, and pianist Craig Taborn all return. The additional architecture includes not one but two bassists in Scott Colley (acoustic) and Fima Ephron (electric). Steve Nelson (Potter's former bandmate in Dave Holland's quintet) plays marimba and vibes, and a string quartet – violinists Mark Feldman and Joyce Hammann, violist Lois Martin, and cellist David Eggar – make this the "Underground Orchestra." "Lament" is introduced by the string quartet playing a near-Baroque melody before the jazz group enters with Rogers' warm, electric guitar…

Clarence Penn has been one of the most dynamic drummers in jazz since his New York City arrival 33 years ago. His work with Wynton Marsalis, Betty Carter, Diane Reeves and Michael Brecker has been extensively documented, as have his own musical explorations, including 2014's Monk: The Lost Files. Behind the Voice goes a whole new direction as Penn unfurls inventive reimaginings of the works of influential drummers behind some of the greatest pop music created. Songs by Phil Collins, Levon Helm, Stevie Wonder, Peter Gabriel and Dave Grohl receive expansive modern treatments through Penn's production along with a bevy of collaborators, including vocalists Kurt Elling, Aaron Marcellus and Toku, guitarists Adam Rogers and Gilad Hekselman, and many more. "…a celebration of their artistry, their passion, and their indelible mark on the music we cherish."

Clarence Penn has been one of the most dynamic drummers in jazz since his New York City arrival 33 years ago. His work with Wynton Marsalis, Betty Carter, Diane Reeves and Michael Brecker has been extensively documented, as have his own musical explorations, including 2014's Monk: The Lost Files. Behind the Voice goes a whole new direction as Penn unfurls inventive reimaginings of the works of influential drummers behind some of the greatest pop music created. Songs by Phil Collins, Levon Helm, Stevie Wonder, Peter Gabriel and Dave Grohl receive expansive modern treatments through Penn's production along with a bevy of collaborators, including vocalists Kurt Elling, Aaron Marcellus and Toku, guitarists Adam Rogers and Gilad Hekselman, and many more. "…a celebration of their artistry, their passion, and their indelible mark on the music we cherish."

Clarence Penn has been one of the most dynamic drummers in jazz since his New York City arrival 33 years ago. His work with Wynton Marsalis, Betty Carter, Diane Reeves and Michael Brecker has been extensively documented, as have his own musical explorations, including 2014's Monk: The Lost Files. Behind the Voice goes a whole new direction as Penn unfurls inventive reimaginings of the works of influential drummers behind some of the greatest pop music created. Songs by Phil Collins, Levon Helm, Stevie Wonder, Peter Gabriel and Dave Grohl receive expansive modern treatments through Penn's production along with a bevy of collaborators, including vocalists Kurt Elling, Aaron Marcellus and Toku, guitarists Adam Rogers and Gilad Hekselman, and many more. "…a celebration of their artistry, their passion, and their indelible mark on the music we cherish."

Sanchez's experience composing the Birdman score was heavily influential on the cinematic scope of The Meridian Suite, his fifth album as leader on Italian label CAM JAZZ. "The movie is basically one long continuous shot", he explains, referring to the film's illusion of being shot in a single take as it follows Michael Keaton through his Broadway breakdown. "That's also what I wanted to do with this suite; to the listener it should be seamless". The suite takes full advantage of the versatility and wide-ranging palette of Migration, the quartet that Sanchez has led since 2011. Tenor saxophonist Seamus Blake doubles on Electric Wind Instrument (EWI), John Escreet on piano and Fender Rhodes, and Matt Brewer on both acoustic and electric bass. Sanchez also layered keyboard atmospherics onto the album in post-production along with a wide array of guitars from Adam Rogers, while singer Thana Alexa contributes soaring lyrics to the second movement, "Imaginary Lines", and coloristic wordless vocals elsewhere.