Adam Colours

Veteran Swedish progressive rockers The Flower Kings released the first part of a career spanning boxset titled ‘A Kingdom of Colours (1995-2002)’ late last year, covering the period starting with ‘Back in the World of Adventures’ to ‘Unfold the Future’ over the course of 10 discs. Now they are pleased to announce the release of ‘A Kingdom of Colours 2 (2004 – 2013) which covers the albums from ‘Adam & Eve’ to ‘Desolation Rose’ and also includes 3 discs of bonus material dating back from 1995. As with the first part of the boxset, there is a brand new interview with band leader Roine Stolt conducted by journalist Dom Lawson (The Guardian, Prog Magazine), giving a history of this period of the band’s existence.

Adam Ant - Adam Ant Is the BlueBlack Hussar in Marrying the Gunner's Daughter (2013) {BlueBlack Hussar Records BBH002CD}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 453 Mb | MP3 @320 -> 163 Mb
Full Artwork @ 300 dpi (png) -> 93 Mb | 5% repair rar
© 2013 BlueBlack Hussar Records | BBH002CD
Rock / New Wave / Post-Punk Revival / Aternative / Pop Rock

Last time Adam Ant released an album, chart success was possible, even expected, so he indulged in his softer side on 1993's Wonderful. Those were different times. Twenty years later, the music biz has fractured and Adam himself hasn't had an easy time of things (the past two decades were littered with tabloid stories of his travails), and he's decided to seize these two events on the wild, sprawling double-album Adam Ant Is the BlueBlack Hussar in Marrying the Gunner's Daughter. Its convoluted title refers to Adam's early persona, pirate torture, and record label machinations and, unsurprisingly, the album addresses all of these problems and more – including "Who's a Goofy Bunny," an old demo revived as a tribute to the departed Malcolm McLaren – channeling all these thoughts into something of a concept album portraying Adam Ant as a lone warrior combating the world.

"Sacrum Profanum" represents a new beginning for Polish violinist Adam Bałdych – but also a look back into his past. He was once a sixteen-year-old firebrand who set out to conquer the jazz world. And when his ACT debut album "Imaginary Room" came out in 2011, he was hailed by the respected German broadsheet the FAZ as having "the finest technique among all living violinists in jazz". The audacity of Bałdych’s lines was so breathtaking, he could almost have been playing a wind instrument; his multi-voiced motifs were more like chord-playing by pianists, and over and above these aspects was the ever-present desire to experiment and to transcend genre boundaries.