Adam Colours

“Europe is different, every country is different,” says violinist Adam Bałdych, “but music is a language which can bring us together, to one place.” He, Dutch pianist Rogier Telderman and French cellist Vincent Courtois combine and juxtapose their different sounds and heritages. That is the central concept behind the trio of equals that they formed two years ago. “We have three very different personalities, we each bring very different colours,” says Bałdych.

This recording is composed of music originally written for piano, harp, or two guitars by leading 20th century composers who spent the bulk of their careers working in Paris. The arrangements, the majority of which are by the Cicchillitti/Cowan duo, eloquently illustrate that the tone colours, intimacy, and pure lyricism of the composers’ styles are ideally suited to the guitar, and that the harmonic language translates beautifully to a guitar duo.

First performed on 30th October 1946 in the Great Hall of the Moscow Conservatory in the very midst of the Soviet turmoil, the Cello Concerto was the last of a series of three concertos, such as those for violin or piano, to be presented with Sviatoslav Knouchevitski (dedicatee) on the cello and Aleksandr Gauk conducting. Though first performed in 1946, it was written many years earlier while the composer was studying cello at the Gnessin Institute.

First performed on 30th October 1946 in the Great Hall of the Moscow Conservatory in the very midst of the Soviet turmoil, the Cello Concerto was the last of a series of three concertos, such as those for violin or piano, to be presented with Sviatoslav Knouchevitski (dedicatee) on the cello and Aleksandr Gauk conducting. Though first performed in 1946, it was written many years earlier while the composer was studying cello at the Gnessin Institute.

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