Adele Sebastian Desert Fairy Princess 1981

Adele Sebastian - Desert Fairy Princess (1981) [Reissue 2000]  Music

Posted by gribovar at June 20, 2020
Adele Sebastian - Desert Fairy Princess (1981) [Reissue 2000]

Adele Sebastian - Desert Fairy Princess (1981) [Reissue 2000]
EAC Rip | FLAC (image+.cue+log) - 206 MB | MP3 CBR 320 kbps (LAME 3.93) - 101 MB | Covers (10 MB) included
Genre: Jazz, World Fusion | RAR 3% Rec. | Label: Nimbus West Records (NS 680 C)

Adele Sebastian was an Afro American jazz flutist and singer, active from the early 70s (when she was still a teenager) until her untimely death at the age of 27 (!) in 1983 from a kidney failure. In fact she had been depending on monthly dialysis to stay alive for years. She lived through and for the music and you can hear it on her only solo album “Desert Fairy Princess” which was first issued in 1981. The mostly acoustic instrumentation brings a very natural and therefore rather retrospective sound considering the year the album was recorded. Adele and her band pull it off right from the start as if it had been 1966 and it was time for a revolution to shake the dust from the old time jazz. In a perfect way she mixes classic American vocal jazz elements with playful and more free passages, Latin music and tribal African sounds…
Horace Tapscott with the Pan-Afrikan Peoples Arkestra - Live At I.U.C.C. (2019) {Soul Jazz Records rec 1979}

Horace Tapscott with the Pan-Afrikan Peoples Arkestra - Live At I.U.C.C. (2019) {Soul Jazz Records rec 1979}
FLAC (tracks) - 16bit/44.1kHz - Official Digital Download (deezer.com) -> 723 Mb | MP3 @320 -> 288 Mb | Cover | 5% repair rar
© 1979, 2019 Soul Jazz Records
Jazz / Avant-Garde Jazz / Experimental Big Band / Piano

"Horace Tapscott is one of the unsung giants of jazz music. A gifted composer and arranger, a boldly original pianist, and above all a visionary bandleader, Tapscott’s recorded footprint is small, but his legacy continues to vibrate through the Los Angeles music underground. From Freestyle Fellowship to Build An Ark, Kamasi Washington and Dwight Trible, it all traces back to Tapscott. The pianist was an organiser, and instead of chasing a successful recording career, he wanted to build a community band that would act as ‘a cultural safe house for the music.’ ‘I wanted to say, “This is your music. This is black music, and I want to present a panorama of the whole thing right here”’ said Tapscott in the late 1990s. ‘We would preserve the music on our ark, the mothership…’ That mothership was the Pan Afrikan Peoples Arkestra – the Ark. As a culturally radical, communal big band with a visionary approach to American Black music, Tapscott’s group is second only to the other famous Arkestra, that of Sun Ra.