By 2005, it had been nearly eight years since Adrian Belew had unleashed an all-new solo studio effort. That's not to say he wasn't busy, though, as he toured/recorded with both King Crimson and the Bears during this time…
As a member of the '80s edition of King Crimson, vocalist-guitarist Adrian Belew established himself as a progressive musician with a quirky stage persona and a head full of ideas…
Adrian Belew is one of the world's most underrated guitarists, and his unique talents truly deserve more attention. He's played guitar with Frank Zappa and David Bowie, and also handled lead vocal duties with King Crimson. On his 1994 solo release Here, Belew not only wrote all of the material himself (co-writing one with Ross Rice), he also played every single instrument and served as the album's producer…
e or Planet e, as it was originally titled, is roughly divided into five different sections where each one, except for c, is split into one or more sub-sections. According to Adrian Belew the compositions can be listened to as individual pieces of music, but they do interact through the overall theme that binds them together…
The instrumental trio Azymuth modernized the sound and style of Brazilian jazz with their electronic instruments, angular arrangements and ingenious synthesis of jazz, funk, rock and samba. After the passing of founding keyboard player José Roberto Bertrami in 2012, Alex Malheiros (bass) and Ivan “Mamão” Conti (drums) recruited synthesizer samurai Kiko Continentinho to the trio as it continued to build on their sound, now in their fifth decade of pushing the boundaries of their beloved samba.
Adrian Belew’s long and winding career as an innovative guitar visionary enters yet another new phase with the pending release of Pop-Sided, the Covington native’s first solo album in 10 years. But don’t think the ever-restless singer-songwriter and prolific session guitarist has been sitting on his hands over that time: he created FLUX, a fascinating iOS app that plays random snatches of his sonic creations; he toured multiple times with the Adrian Belew Power Trio, which featured songs from across his versatile four-decade career; and he continued to contribute singular guitar parts for artists like Nine Inch Nails.
For decades, the voice of Jean Carne has been a crucial part of the American musical landscape, tying together generations of Jazz, Gospel, and R&B artists. As a solo artist, backing vocalist, and vocal coach, she has contributed to and collaborated with the likes of Norman Connors, Doug Carn, Dexter Wansel, Phyllis Hyman, Lonnie Liston Smith, Michael Jackson, and many more. At 74, she shows no signs of slowing down.
Coursing through the cosmic pulse of Jazz-Funk is the inimitable influence of Lonnie Liston Smith. For over five decades, the legendary keyboardist and bandleader has been a driving force in shaping the genre's sound. Smith made his recording debut as a sideman for heavyweights Miles Davis, Pharoah Sanders, Gato Barbieri and Leon Thomas. He later formed his own ensemble, Lonnie Liston Smith and the Cosmic Echoes which delivered an incredible run of classic albums through the 1970s. His music has served as the foundation for immortal hip-hop samples and ecstatic dancefloor revelry. In late February 2020, Smith headlined Jazz Is Dead’s Black History Month series, giving many jazz fans what would be their last taste of live music before the nightmare of COVID-19 that took over in the weeks that followed. Now, he reunites with Jazz Is Dead to deliver Lonnie Liston Smith JID017 - a full-bloom tribute to the multitude of sonic strains that all lead back to the fingertips of the maestro himself.
The first solo album from monster alternative guitarist Belew comes in the middle of Robert Fripp's early-'80s reformulation of King Crimson, so it's no surprise that many a Crimson-esque herky-jerky guitar run and melody line pops up among Belew's other trademark sound, that of the animal-turned-guitar wail…