Adrienne D. Renee Bagby

I love how Denise Renee actually puts her own testimony into her songs and lyrics!! You can tell she is really intelligent and sooo talented!! Her vocals are strong and she delivers a very great message directly speaking from her heart and from experience!! She definitely gets me going whenever I play any of her songs…I love her passion for her music to reach and minister to those who are so desperately searching or lost!! Her music has definitely found a place in my heart and I wouldn't ever want to miss out on any of her music!! May she be blessed as she has blessed me and so many others!!

Dark Hope is a 2010 album of indie rock titles sung by opera soprano Renée Fleming.

If Renée Zellweger had any apprehension about stepping into Judy Garland’s slippers for the biopic Judy, it’s hard to tell by listening to her performance on the film’s soundtrack. Zellweger channels the smoky, quavering vocals of late-period Judy—years after the MGM musicals, amid the ups and downs of multiple marriages, hospital visits, financial ruin, and the prescription drug abuse that would be her undoing. Garland may not have been in top form for one of her final engagements, at London’s Talk of the Town nightclub, but Zellweger is at her strongest here inhabiting the diva and taking on her best-known numbers: “Over the Rainbow,” “The Trolley Song,” and “Zing Went the Strings.” Featuring guest appearances from Sam Smith and Rufus Wainwright (the latter of whom is a lifelong Judy devotee and recorded a full-album tribute to her 1961 Carnegie Hall comeback), this bittersweet recording illuminates some of the brightest spots of Garland’s career, viewed through the lens of one of her darkest moments.

Dark Hope is a 2010 album of indie rock titles sung by opera soprano Renée Fleming.

"The Best of Renée Geyer 1973-1998" is the third greatest hits album by Australian musician Renée Geyer. It was released in May 1998 by Mushroom Records. The album was re-released in August 2004 under the title The Definitive Collection 1973-1998.

Renee Rosnes has a reinvigorated appreciation for the many different shapes that love can take.

Based on Ann Patchett’s best-selling novel, BEL CANTO is a dramatic love story that follows a famous soprano (Julianne Moore) who travels to a military dictatorship in South America to give a private concert at a party for a wealthy Japanese industrialist (Ken Watanabe). Just as the glittering gathering of diplomats and politicians convenes, the mansion is taken over by a guerrilla rebel group demanding the release of their imprisoned comrades. Threats are made, lives are lost, a tense negotiation begins, and a month long standoff ensues.