Adrienne D. Renee Bagby

Handel's operas–the center of his creative life before oratorios became the focus–have spent far too long in limbo awaiting rediscovery, which slowly started happening in the late '60s with works such as Giulio Cesare. But whether Handelian opera is still a novelty or you're already a rabid convert, this emotionally resonant, crisply played, superbly cast interpretation under William Christie and Les Arts Florissants is likely to shake up some of your ideas about the composer.

Saxophonist Adam Estes and pianist Adrienne Park share transcriptions of master works by Beethoven, Chaminade, Burhans, and Saint-Saëns on their LYRICAL BARITONE, VOL. 1. Borrowed from the flute, bassoon, and cello repertoires, this album celebrates this captivating music reimagined for baritone saxophone and piano duo. While the lowest note of the cello and the baritone saxophone is the same, the common playing range isn’t: the cello’s stretches an entire octave further, rendering literal transcriptions fiendishly difficult to play. This considerable challenge seems to pose no difficulty to Estes and Park at all: with great lightness and delicacy, they navigate calmly and confidently through even the most treacherous musical waters. A virtuosic feat and feast.

Présentation d'une stratégie d'entreprise basée sur la création de nouveaux espaces de marché et permettant de s'affranchir de la concurrence. A partir d'exemples de réussites d'entreprises, présente des modèles et des outils analytiques pour exploiter les opportunités de changement de secteur d'activité tout en limitant les risques. Edition enrichie de deux chapitres. …

Saxophonist Adam Estes and pianist Adrienne Park share transcriptions of master works by Beethoven, Chaminade, Burhans, and Saint-Saëns on their LYRICAL BARITONE, VOL. 1. Borrowed from the flute, bassoon, and cello repertoires, this album celebrates this captivating music reimagined for baritone saxophone and piano duo. While the lowest note of the cello and the baritone saxophone is the same, the common playing range isn’t: the cello’s stretches an entire octave further, rendering literal transcriptions fiendishly difficult to play. This considerable challenge seems to pose no difficulty to Estes and Park at all: with great lightness and delicacy, they navigate calmly and confidently through even the most treacherous musical waters. A virtuosic feat and feast.