Ahmad Jamal's Alhambra

Avid Jazz continues with its Four Classic Album series with a re-mastered 2CD second set release from Ahmad Jamal, complete with original artwork, liner notes and personnel details.
“Chamber Music Of The New Jazz”; “Ahmad Jamal Trio”; “Count ‘Em 88” and “Listen To The Ahmad Jamal Quintet”.
Born in Pittsburgh in 1930 Ahmad Jamal started playing piano at 3 years old and turned professional at 14! His early influences include Earl Hines, Erroll Garner and Mary Lou Williams and he had the distinction of being spotted as a “coming great” by none other than Art Tatum. He discovered Islam in his 20s and in 1950 Fred Jones became Ahmad Jamal as he took the Muslim faith…

Emerald City Nights: Live at the Penthouse (1965-1966) brings forth a collection of previously unreleased recordings of the iconic pianist Ahmad Jamal captured live at the hallowed Seattle jazz club. Featuring trios with bassist Jamil Nasser, and drummers Chuck Lampkin, Vernel Fournier and Frank Gant.

With a beautifully economical piano style full of grace, depth, tone, and plenty of swing, Ahmad Jamal is simply one of the greatest pianists in the history of jazz, but he has been woefully underexposed, even as he has been a giant influence in the genre, on Miles Davis, for one, and Gil Evans, who flirted with Jamal's chamber jazz style. This set collects eight of Jamal's seminal albums, 1955's Chamber Music of the New Jazz, 1956's Count 'Em 88, 1958's Ahmad Jamal Trio at the Spotlight Café and Ahmad Jamal at the Pershing: But Not for Me, 1959's Jamal at the Penthouse, 1960's Happy Moods, and 1961's All of You and Standard Eyes, all in one package. Together they form perhaps Jamal's richest creative stretch, making this set a welcome delight.

What a find. Brilliant original compositions and arrangements by one of the Jazz worlds greatest pianists; performing with a classical string quartet who opened their hearts to the whole concept of what Jazz is all about..a true spiritual fusion. Ahmad's solo improvisations are jewels of wisdom, tenderly recorded… This is a great CD.
With courage and humility Ahmad Jamal and the Assai Quartet venture into their uncharted common ground - a place where culture and tradition become muted backdrops to voices speaking freely. As it ought to be, the final composition, A Short Piece, features a solo for each member of the string quartet and then concludes with sophisticated harmonies that resolve into a simple lullaby.

A Pittsburgher like the late Earl “Fatha” Hines, Ahmad Jamal is also, like Hines, one of the towering piano individualists in jazz—nearing age 90 at the time of this resplendent solo release. Little did we know he was cajoled into recording some solo piano during the sessions that yielded his 2017 full-band album Marseille. The result, Ballades, is an imaginative set that allows Jamal to roam free, though he brings in regular bassist James Cammack on three tracks, including the opening “Marseille” (version number four, following the three from the previous album). There’s also an out-of-tempo reading of “Poinciana,” Jamal’s signature number dating back to the late ’50s, ruminative and dreamy without reference to the drumbeat that made the tune famous. Whether playing standards or originals, or even venturing into late-period Bill Evans with “Your Story,” Jamal turns the keyboard into a magisterial canvas.

Well into his golden years, Ahmad Jamal continues to tour and record with the vigor of a man half his age. What is also evident is that his artistic sense is as high as it has ever been, as he consistently doles out fresh new melodies charged by his extraordinary talent, which is hardly reined in.