Eager to prove their songwriting smarts and knowledge of traditionalist pop on their sophomore work, French band Air pulled back slightly from the milky synth pop of their 1998 debut, Moon Safari. 10,000 Hz Legend is a darker work, just as contemplative and unhurried as its predecessor, but part of a gradual move from drifting, almost pastoral melancholia to a downright post-modern helplessness in league with Radiohead. Air are still tremendously effective producers, and have actually expanded their palate with a surprising array of pop instrumentation (acoustic guitars, flutes, pianos, a harmonica, harps, and many strings) to file alongside the countless trilling synthesizers and machine sequencers…
French duo Air will release a 20th anniversary edition of their third album 10 000 Hz Legend in November. This deluxe edition is a three-disc set comprising two CDs and a blu-ray…
Artistic development doesn't always improve an artist's work, as the members of Air discovered when their second album, 2001's 10,000 Hz Legend, disappointed fans and critics expecting another pop masterpiece to rank with their debut, Moon Safari. 10,000 Hz Legend buried the duo's clear melodic sense underneath an avalanche of rigid performances, claustrophobic productions, and a restless experimentalism that rarely allowed listeners to enjoy what they were hearing. Gone was the freshness evident on Moon Safari: the alien made familiar, the concept that electronic dance could be turned into a user-friendly medium, the illustration of simplicity and space as assets, not liabilities. Fortunately, Air learned from their mistakes - or, at least, their limitations - leading up to the recording of third album Talkie Walkie, and the happy result is a solid middle ground between both of their previous records…
Ever since Moon Safari was hailed as an instant classic, Air have swung back and forth between the experimental and accessible sides that Nicolas Godin and Jean-Benoît Dunckel united so perfectly on their debut. 10,000 Hz Legend might have been too grandiose and aggressively experimental for some Air fans, but Talkie Walkie sometimes felt as if the duo was presenting the most widely palatable version of their music possible. On Pocket Symphony, Dunckel and Godin find a balance between pretty and inventive that they haven't struck since, well, Moon Safari, even though it isn't nearly as immediate - even by Air's standards, this is an extremely introspective and atmospheric album…
For part of Air's Pocket Symphony tour, Jean-Benoît Dunckel and Nicolas Godin played shows with only drummer Joey Waronker as support, forcing the band to strip its songs down to their essences. They stick with that lineup on Love 2, which delivers some of the most Air-like music to the band's name, and with good reason: this is the first time Dunckel and Godin have produced their own album. The duo tends to follow its more ambitious work with more accessible material and Love 2 is no exception, replacing Pocket Symphony's exotic, experimental bent with a renewed emphasis on the pair's quintessential sound. Godin and Dunckel dig deep into their arsenal of vintage electronic gear, topping those burbles, buzzes, and whooshes with some strings here and a few fuzzed-out guitars and basslines there…
The boastful title is no exaggeration; this is a welcome return for the classic Chicago blues sideman, who, primarily because of the misfortune of his music being exploited by other musicians, took a self-imposed retirement for nearly 30 years. It's especially rewarding since Williams – whose work you hear on early Howlin' Wolf, Otis Spann, Bo Diddley, Billy Boy Arnold (who guests here) sides – hadn't played a lick during that time, keeping his guitar stashed under his bed. He sounds like he never put the instrument away on this album, the first cohesive disc under his own name ever. Aided by comparative youngsters Tinsley Ellis, Ronnie Baker Brooks, and Rusty Zinn, along with a 21-year-old Sean Costello, Williams holds the spotlight like the pro his is. Though well into his sixties when this was recorded in 2001, he sounds remarkably vibrant, completely confident, and totally in his element.
The ultimate Orbison! Between 1955 and 1965 Roy Orbison revolutionised popular music and these are the recordings that did it! This 7-CD set includes every recording from his golden decade! Beginning his career as a rockabilly singer on Jew-Wel and Sun Records , Roy scored one hit, 'Oooby Dooby', and left many great early rare and rockin' sides behind …'Problem Child, Down The Line, Rockhouse, Cat Called Domino'…