Air Buddies

Dog Man: Mission Impawsible brings the beloved book series to life. Help Dog Man and his friends chase down the supa bad guys in their most impawsible mission yet!

Of the numerous various-artist compilation CDs that have attempted to anthologize the recordings of the late '40s and early '50s most crucial to planting the seeds for rock & roll, this three-CD, 60-song set is probably the most definitive. Most prior collections along these lines have failed to present a truly comprehensive picture of rock & roll's roots, whether due to both licensing restrictions and/or track selection that fails to recognize the entirety of the wide spectrum of rock & roll's roots. While you'd need at least a ten-CD box set to approach inarguable definitiveness, The Roots of Rock 'n' Roll: 1946-1954 hits about as many of the key bases as possible within three CDs, including pivotal songs by Lionel Hampton, the Delmore Brothers, Louis Jordan, Hank Williams, Lloyd Price, Howlin' Wolf, the Drifters, Bill Haley, Big Joe Turner, Hank Ballard, and Muddy Waters, to start with just the most well-known artists included here.

Produced by an independent film production company four World War II documentaries, "Peleliu 1944: Horror in the Pacific," "Pistol Packin' Mama: Missions of a B-17," "Fighting 17: The Jolly Rogers," and "17th Airborne: The Bulge to the Rhine," have received 11 prestigious film awards, including two Telly Awards, two Columbus International Film Festival Awards, and two New York International Film Festival citations.

It was a musical cocktail born in a marketing meeting: Two parts easy listening, one part jazz, a healthy dollop of conga drums, a sprinkling of bird calls, and a pinch of textless choir. Serve garnished with an alluring woman on the album jacket for best results. Liberty Records co-founder Si Waronker called it Exotica; the soundtrack for a mythical air conditioned Eden, packaged for mid-century, tiki torch-wielding armchair safariers. In the five years after Exotica—Martin Denny’s 1957 landmark Liberty debut—arrived, hundreds of other ethnographic forgeries washed up in record racks all over the U.S., bearing titles like Sophisticated Savage, Sacred Idol, Chant of the Jungle, Polynesian Paradise, Exotic Paradise, Taboo, Primitiva, Forbidden Island, Afrodesia, Hypnotique, Percussion Exotique, and a barrel’s worth of other portmanteaus. “All of those ica and itiva endings I came up with because I thought I was being cute,” Waronker said. “And I don’t know why, but nobody got wise.”