Airboss II (1998)

Fresh Sound New Talent series features emerging artists mainly from New York or Barcelona. The label produced the debut recordings of Brad Mehldau, a key figure on today’s world stage. Having formerly released the Mehldau-Rossy Trio “When I Fall in Love”. In these two CDs the trio joined the Spanish altoist Perico Sambeat. The quartet confidently stretches out in a variety of tempos and feels, captured live at the Jamboree Club in Barcelona in 1993.

4Voice II (1998). After extensive journeys through the incredible worlds of futuristic and ancient sounds, Pete Namlook rediscovered the Bass Drum. Now reintegrated into the most successful Trance-Product on Fax it is being taken to an area where melodic Dance, Electronic Listening Music and Ambient have their home. Check out the integration of monumental Hip Hop sounds on "New York, 25th of November 2089", travel to the "Cave of Ancient Dreams" with Ambient, dance with "Old Loves Dies Hard", go on a ride with "The Driver" and fall in Love with "Anemra"…

This group of musicians (feat. David Sylvian, Harold Budd, Roger Eno, David Torn, Steve Jansen, Richard Barbieri) are some of the finest that were working in the 80s and 90s "alternative" music scene that was more focused on musical and sound explorations. "Marco Polo" is very listenable, creating a musical voyage that suggests destinations without overt musical cues (like a Japanese flute or Buddhists chanting to make it sound Asian). Very subtle, the music often unfolds gracefully, introducing elements of dischord like sax as contrast.

This group of musicians (feat. David Sylvian, Harold Budd, Roger Eno, David Torn, Steve Jansen, Richard Barbieri) are some of the finest that were working in the 80s and 90s "alternative" music scene that was more focused on musical and sound explorations. "Marco Polo" is very listenable, creating a musical voyage that suggests destinations without overt musical cues (like a Japanese flute or Buddhists chanting to make it sound Asian). Very subtle, the music often unfolds gracefully, introducing elements of dischord like sax as contrast.