…The deep connection to the blues/jazz/swamp rock feel essential to his sound has remained, yet there is so much more. One only has to listen to the nine brilliant tracks to hear the emotional outpouring on offer here. Louis has opened his heart and soul, faced down his demons and overcome his fears in the most cathartic way – song writing and recording as personal therapy.
EMI invited Daniel Barenboim to record the complete series, with the English Chamber Orchestra, as conductor and soloist. The recordings were made at London's Abbey Road Studios between 1967 and 1974.
Malcolm Bilson once gave a lecture-demonstration in which he said that of all the composers he played, Schubert gained most from being heard on an antique piano. According to Bilson, Schubert's phrases are designed for instruments whose notes die away more quickly than they do on the modern piano. Whatever the reason, Bilson, here playing on a colorful-sounding Graf fortepiano from 1835, gives extremely effective and convincing performances of both of these major Schubert sonatas, which gain in transparency from the early instrument without losing their emotional force. Very highly recommended.