Alain Silver

Ilja Richter was born to parents Georg and Eva Richter. Georg was a Communist, who named Ilja after the Russian journalist Ilja Ehrenburg, and Eva was a Jew who survived the Third Reich under a fake Aryan identity. Georg spent nine and a half years in the penitentiary and concentration camp during the Third Reich. After the family was in political difficulties in the GDR, they moved to West Berlin in 1953. There, the Richters leased a restaurant. In 1955, Ilja's sister Janina was born, and in 1959 they moved to Cologne.

Ilja Richter was born to parents Georg and Eva Richter. Georg was a Communist, who named Ilja after the Russian journalist Ilja Ehrenburg, and Eva was a Jew who survived the Third Reich under a fake Aryan identity. Georg spent nine and a half years in the penitentiary and concentration camp during the Third Reich. After the family was in political difficulties in the GDR, they moved to West Berlin in 1953.

At long last, Jean Martinon's classic EMI Debussy and Ravel cycles from the 1970s have been gathered in a space-saving box set. If you love this repertoire, you'll gasp with joy at the conductor's crystal-clear orchestral balances, which truly reproduce what you see in the printed music. If you respond to a lean, sinewy approach to this repertoire in the manner of Toscanini and Boulez, but pine for the timbral characteristics that used to distinguish French orchestras (silver-coated strings, tart woodwinds, and slightly watery brass) in gorgeous, vibrant sonics, Martinon's your man. Aldo Ciccolini's crisp, diamond-edged finger work stands out in Ravel's two piano concertos and in Debussy's rarely heard Fantasie. The young Itzhak Perlman's dazzling, effortless traversal of Ravel's Tzigane will humble many an aspiring fiddler. And you won't find a more sparkling, translucent Ravel Mother Goose Suite on record. Martinon was a marvel, and a sadly underrated podium giant.

–Jed Distler

Superlatives are inadequate for the box record company Universal Music recently released. Two hundred hits on ten CDs, hundreds of hits and a lot of TV and news clips on five DVDs and then another book as reference book. It can not be on. The disadvantage of the Testament of the Seventies is that for a hundred euros a hefty investment. The advantage that you are now ready to be a hit with your Seventies Collection.

Despite being renowned in certain parts of the world (especially in Italy and their hometown of Paris), the space-age outfit Rockets remains largely obscure – even though they arrived on the scene at almost he same exact time as Kraftwerk and prefaced Devo by several years. The multi-membered outfit originally formed in 1972, under the name Crystal, performing on-stage in their regular street clothes. But by 1974, Crystal had evolved into Rocket Men, issuing a debut self-titled single, while its members began to assume the identities of aliens; complete with silver makeup covering their skin, grey contact lenses, space suits, and bald heads. It was also around this time that the group hooked up with producer Claude Lemoine, who would remain behind the studio boards until the early '80s. Over the next year, the group went through another name (Rocketters), before finally settling on Rockets, and issuing further singles, including such titles as "Rocket Man," "Future Woman," and "Samurai."