Albert Sammons, Peers Coetmore, Bbc Symphony Orchestra, Sir Adrian Boult Moeran: Symphony

Alexander Veprik was regarded as a star in the young Soviet generation of composers of which Dmitri Shostakovich was a member, and his music was enthusiastically performed even in the distant West. But then he fell out of favour as a victim of Stalin's anti-Semitic policies and was banned to the Gulag. His name disappeared from program pages - and has yet to reappear. Veprik's rehabilitation is long overdue, a fact impressively demonstrated by Christoph-Mathias Mueller on this new recording with the fantastic BBC National Orchestra of Wales. Highly expressive melodies, compelling expressivity, and captivating tone colours will fascinate and captivate.

Two late, great Vaughan Williams symphonies: with the ‘Antartica’ and No 9, Martyn Brabbins and his BBC forces complete a cycle enthusiastically acclaimed by Radio 3 Record Review as ‘unmissable’.

Jamie Bernstein has reworked the narration written by her father, adding to the works frenetic complexity, which registers powerfully in this recording. Fans of heart-on-sleeve Berntsein will enjoy bold versions of his Chichester Psalms and Missa Brevis.

Hot on the heels of their acclaimed recording of Britten’s Peter Grimes, Stuart Skelton and Edward Gardner join forces with Christine Rice and the BBC Symphony Orchestra for this fascinating programme of early twentieth-century works. Schoenberg’s Verklärte Nacht needs no introduction, but far rarer is Oscar Fried’s contemporaneous setting of the same poem. Composed in 1901 for soloists and orchestra, Fried’s version is a true setting of (as opposed to Schoenberg’s reflection on) the text by Richard Dehmel. Lehár wrote Fieber in 1915 as the closing part of his song cycle Aus eiserner Zeit – he then made the orchestral setting a year later. Korngold’s Lieder des Abschieds (Songs of Farewell) date from the early 1920s, whilst he was still in Vienna, and shortly after he had completed the opera Die tote Stadt. Setting poetry by Christina Rossetti, Edith Ronsperger, and Ernst Lothar, the cycle is a poignant reflection on the Great War.

‘Essential listening’ … ‘fabulously assured’ … ‘unequivocally excellent’: just a few of the critical superlatives earned by Martyn Brabbins’s magnificent Vaughan Williams symphony cycle. In this, the penultimate release of the series, two of the late symphonies are coupled with more rare RVW.

Two late, great Vaughan Williams symphonies: with the ‘Antartica’ and No 9, Martyn Brabbins and his BBC forces complete a cycle enthusiastically acclaimed by Radio 3 Record Review as ‘unmissable’.

The three works on this album were all composed between 1943 and 1953. Despite the extreme experiences and difficulties she faced during this undoubtedly most tragic time in Poland’s history, Grażyna Bacewicz managed to compose outstanding works which constitute splendid testimony to the vibrant creative potency for which she was renowned.

Chief conductor of the BBC Symphony Orchestra since 2013, Finnish conductor Sakari Oramo has a special affinity with the music of his compatriot Sibelius which this recording admirably demonstrates. Sibelius’ ever-popular ‘Lemminkäinen Suite’ is coupled here with ‘Spring Song’, and the lesser-known Suite from ‘Belshazzar’s Feast’. Sibelius composed the ‘Lemminkäinen Suite’ (also called the Four Legends, or Four Legends from the Kalevala), Op. 22, in the 1890s. Originally conceived as a mythological opera, Veneen luominen (The Building of the Boat), the suite is based on the character Lemminkäinen from the Finnish epic, the Kalevala.

The three works on this album were all composed between 1943 and 1953. Despite the extreme experiences and difficulties she faced during this undoubtedly most tragic time in Poland’s history, Grażyna Bacewicz managed to compose outstanding works which constitute splendid testimony to the vibrant creative potency for which she was renowned. Until 1939 her career as a virtuoso violinist and an emerging composer evolved naturally.

British composer Eleanor Alberga is renowned for her mastery of orchestral colour and form. With her distinctive blend of lyricism and rhythmic dynamism, Alberga crafts a sonic journey that is both exhilarating and deeply moving.