Alchemy: Live (20th Anniversary Edition)

The Grateful Dead's first true archival album, Bear's Choice, was lovingly produced as a tribute to Pigpen shortly after he passed by none other that the Dead's original soundman and benefactor, Owsley Stanley, aka Bear. Drawing from live shows recorded three years earlier by Bear at the Fillmore East in New York City, Bear's Choice captures the Dead at an essential moment of their history, as they were about to record Workingman's Dead (and shortly thereafter, American Beauty), and were transitioning into becoming Americana pioneers, while never losing touch with their psychedelic improvisational roots. Three of the eight songs on the album are sung by Pigpen, with Side 1 being the definitive example of early acoustic Dead, and Side 2 being electric blues and rock & roll, with Pigpen leading the charge on both tracks on the second side. This has been remastered by David Glasser using Plangent Processes from the original analog 2-track tapes recorded live by Bear and has never sounded better.

After the disaster of “Big Men Cry” and a traumatic American tour with Moby, it was time for Banco de Gaia to take stock. A move to Somerset allowed him to set up a new studio, and all the label intrigue from the last release drove him to find a new American partner in Six Degrees, and to set up his own label, Disco Gecko Recordings, for European releases.

1995: fresh from finishing and releasing his magnum opus, 'Last Train to Lhasa', Toby Marks, aka Banco de Gaia, rolled down to Glastonbury Festival to play on the Avalon Stage in the Field of Avalon. The year was one of the first times dance music had been given significant space at the festival, and Toby’s set was much anticipated, with the marquee completely full by the time he came on stage. The set featured many of his most familiar songs, often given radically new arrangements, turning some previously un-danceable tracks into driving club tunes. Ed Vulliamy described it in his review for the Guardian as “electrifying: symphonic, epic, hugely lyrical music in the best traditions of the early Floyd, underpinned by synthetic energy but aiming at an appropriately earthy message, atop which a flute sometimes danced” and credited the show as the highlight of the year…