Alchemy: Live (20th Anniversary Edition)

Thankfully, Pantera has stopped attempting to outdo each successive album in terms of start-to-finish intensity, but that doesn't mean they don't try in spots. The Great Southern Trendkill is burdened with passages in which Phil Anselmo's vocals cross the line into histrionics, making the band's trademark intensity sound dull, forced, and theatrical rather than sincere…

For more than 20 years, progressive metal group Trans-Siberian Orchestra has cornered the market on holiday concept albums. The second installment in a trilogy, THE CHRISTMAS ATTIC tells the story of a little girl who spends nights in an attic filled with Yuletide reveries, a concept that TSO's sweeping soundscapes play to the hilt. Solo and choral vocals soar over the septet's rock orchestral backing across 16 tracks interweaving traditional and classical material with compositions by bandleader Paul O'Neill and cohorts. “Christmas Canon” would become a signature song for TSO, and this 1998 album and subsequent tour helped turn the group into a commercial juggernaut. The new 20th Anniversary Edition of THE CHRISTMAS ATTIC includes a previously unreleased on CD and vinyl version of “Christmas Jam (Live).” Merry Christmas from Rhino and Trans-Siberian Orchestra!

Inspired to enter the field of electronic music by Britain's acid house explosion of the late '80s, Toby Marks took quite a different spin on electronica with his recordings as Banco de Gaia, introducing elements of Eastern and Arabic music, sampling similarly exotic sources, and tying the whole to ambient-dub rhythms. Marks began releasing cassette-only albums in the early '90s, distributed through a network of clubs and artists known as Planet Dog. When Planet Dog became a record label as well (later the home of Eat Static and Timeshard), Banco de Gaia debuted on disc with the Desert Wind EP, released in November 1993. Early the following year, Marks released his first album, Maya…

In 1997 when “Big Men Cry” was originally released on Planet Dog Records, no one could have predicted the chaos that would surround and follow it. The campaign was a classic case of the record company marketing one thing and the artist recording another. In this instance, the label and many of the public alike wanted “another Last Train to Lhasa” but for Toby Marks (AKA Banco de Gaia), another “Lhasa” was the last thing on his mind.
Add to that a breakdown of relations between Toby and the record label and you have all the necessary components for a pretty uncomfortable album release. This was compounded by Ultimate Records, who licensed the Planet Dog label, going into liquidation shortly after the album’s release…