Aldo Ortado

This release champions two relatively unknown Neapolitan composers. Mario Pilati’s style was described by musicologist Gianandrea Gavazzeni as “southern Baroque, full of songlike whims and lively impulses”, and the rhythmically vital and deeply expressive Piano Quintet of 1927–28 is one of his most important early pieces. Pianist Aldo Ciccolini was one of Achille Longo’s favourite pupils as a child, and his close association with the healthily eclectic Quintet brings a special warmth to its rich timbres and joyously refined nuances. The Circolo Artistico Ensemble specialises in the revival of the unpublished work of Italian composers.

This set was the Saint-Saëns piano concerto reference edition of choice until EMI remade all five works with pianist Jean-Philippe Collard and conductor André Previn. At the same time, Decca weighed in with Pascal Rogé and Charles Dutoit, and while both of these newcomers offer better sound and smoother orchestral playing than Aldo Ciccolini and Serge Baudo, these performances still retain their considerable charms. First, there’s Ciccolini’s witty, brittle, slightly “sec” playing, which perfectly suits the music’s basically neo-classical aesthetic.