Alex Social Encrypted

Three Venetian contemporaries named Antonio - one, Vivaldi, achieved world fame with his concerti. But who has heard of Antonio Lotti and Caldara today? In their time, they were famous composers beyond the borders of Venice, and yet some of their music has lain dormant in archives for over three hundred years. Now selected alto cantatas by Lotti as well as oratorio introductions and an "Ave Regina" by Caldara may reawaken attention: paired with the "Nisi Dominus", RV 608, and two rousing concerti by Vivaldi, the baroque orchestra la festa musicale and the internationally acclaimed countertenor Alex Potter present an album full of virtuoso and touching musical treasures by the three Antonios from the Canal Grande.

We are very happy to announce the release of our CD - WIND DANCE with the music of the extremely inspirational trumpet player, composer and arranger Alex Sipiagin. Our collaboration with this amazing artist has brought us a big musical satisfaction, and the opportunity to work with and discover a great rhythm section comprising of Misha Tsiganov as pianist and exquisite arranger for big band, the extremely lyrical bassist Makar Novikov and the versatile and magician-like drummer Sasha Mashin. A big thank to Will Vinson who is featured as guest soloist and who's solos up-lift us. We wish to thank Liliana Staicu, Gilda Radulescu, Tiberiu Comandasu Editura Casa Radio, Radio România for all their support and our sound team - Florin Tudor, Andrei Barbu and Dan Popescu who worked with us on recording, mixing and mastering the material.

Grammy Award-winner Alex Klein, former principal oboist of the Chicago Symphony Orchestra, performs sonatas that signify the oboe’s 20th-century reemergence as a brilliant solo instrument. One of the world’s most famous oboe players, Klein says he waited to acquire a professional lifetime’s worth of experience before putting his stamp on the six sonatas heard here.

Only "What Makes a Man Turn His Back on God?," which features Bessie Griffin, has been previously released. But any number of those 23 sides could have been issued with success (only "Dinner, Mr. Rupe?," a half-minute of studio byplay, wouldn't). The earlier, slightly longer take of "Too Close to Heaven" is especially interesting to compare to the hit; too sweet how Bradford whittled almost 30 seconds out of a performance already in fine fighting trim. Superb annotation by gospel historian Anthony Heilbut offers an insightful history of Bradford and his sound and also gets down to cases about various tracks.

"The greatest song cycle ever written." - Glenn Gould is very unequivocal in his judgement of Paul Hindemith's Das Marienleben, based on a collection of poems by Rainer Maria Rilke. The notorious bourgeois terror, then only 27 years old, shows a very different, internalised side here. "There is something in these songs that forces and fascinates the listener beyond all habits of conventional song manner," wrote a reviewer in 1923, and to this day there is nothing to add. Yvonne Friedli and Constantin Alex make it palpable in their sensitive interpretation.

"David Pohle created his Zwolf Liebesgesange in the early seventeenth century, crucially advancing the emerging genre of the German song. The settings of the 26-year-old Pohle are valuable testimonials to the development of this genre. The poems by Paul Fleming, on which these settings are based, bear autobiographical features, mirrored by David Pohle in his compositions by the use of two equal voices. In a varied manner, the music and text tell of love, loss and pain, of happiness, determination and abstinence. Audite presents this premiere recording with a top-class cast of soloists and instrumentalists.